Saturday 3 August 2013

Pooja Chopra


Pooja Chopra (born c. 1985) is an Indian model and film actress. In 2009, she was crowned as the Femina Miss India. She was also a semifinalist at Miss World and won the Beauty With A Purpose award at Miss World 2009 in Johannesburg, South Africa.[1][2]

Pooja is the child of a single mother[3] and was brought up by her mother and grandmother.[4] Pooja Chopra is a resident of Pune in Maharashtra.[5]

http://media.santabanta.com/gallery/indian%20%20celebrities(f)/pooja%20chopra/pooja-chopra-3-d.jpgCareer

2009–present: Femina Miss India and Miss World 09

Pooja Chopra was crowned with the 2009 Femina Miss India East title on February 17, 2009, in Kolkata. She also won Miss Perfect 10, Miss Catwalk, Miss Beautiful Smile, Talwarkars Best Body and Nakshatra Miss Sparkling Beauty, thus gaining direct entry into the top ten finalists of the Femina Miss India 2009. On April 5, 2009 Pooja Chopra was crowned the Pantaloons Femina Miss India-World 2009.
Chopra sprained her ankle while running down a flight of stairs one week prior to the Miss World final on December 12, 2009. Doctors advised her 3 weeks complete bed-rest, but she continued with the competition. Chair of the Miss World Organization Julia Morley suggested that Pooja drop out of the dance round,[6] and so she took only a few steps before being allowed to stop. She finished as one of the top sixteen finalists.
On December 12, 2009, she won the "Beauty With a Purpose" title at Miss World 2009 based on her charitable work in the India "Nanhi Kali" project.[7][8] She won US$10,000 for her "Nanhi Kali" project which helps small girls fight poverty.[6]
During her reign she endorsed brands such as Tata Docomo,[9] Bajaj Allainz,[10] Richfeel,[11] Body and Soul, Roots Comb, Evolve Med Spa,[12] and Juvederm Voluma[13] On April 30, 2010 Pooja crowned her successor Manasvi Mamgai as the next Miss India World.
Pooja was also featured in Times 50 most beautiful women at No. 28, the list features India's most beautiful faces.[14]

http://cinespot.net/gallery/d/1161493-1/Pooja+Chopra+in+Ponnar+Shankar+_1_.JPGActing

Chopra made her acting debut in the 2011 Tamil film, Ponnar Shankar,[15][dead link] playing the role of Princess Muthaayi, opposite Prashanth Thiagarajan. The film was written by the former Chief Minister of Tamil Nadu M. Karunanidhi and directed by Thiagarajan.[16] Before she made her debut in Bollywood as a leading lady, she had small roles in Madhur Bhandarkar's films Fashion and Heroine.[17]

http://media1.santabanta.com/full1/Indian%20%20Celebrities(F)/Pooja%20Chopra/pooja-chopra-0a.jpgFilmography

Year Film Role Language Notes
2008 Fashion Hindi Special appearance
2011 Ponnar Shankar Princess Muthaayi Tamil
2012 Heroine Shaheen Khan Hindi Special appearance
2013 Commando Simrit Sarabjit Kaur Hindi

Pooja Bhatt


Pooja Bhatt (Hindi: पूजा भट्ट; born 24 February 1972) is an Indian film actress, voice actress, model and film maker. She is the eldest child of Indian film director, Mahesh Bhatt.[1]


http://rebelindia.com/sudipto1/admin/ckfinder/userfiles/images/Pooja_Bhatt.jpgEarly life

Pooja Bhatt was born to Mahesh Bhatt and Kiran Bhatt (aka Loraine Bright). She is the step daughter of Soni Razdan. She has a brother, Rahul Bhatt and half sisters Shaheen and Alia Bhatt. Her cousins are Mohit Suri and Emraan Hashmi.[2]
She acted in many films which were produced and directed by her father. In most of her films, she used her real name Pooja.

Career

Bhatt made her acting debut at age 17, in 1989 with Daddy, a TV film directed by her father Mahesh Bhatt. In the film she portrayed a soul-searching teenage girl in an estranged relationship with her alcoholic father, played by actor Anupam Kher.
Her biggest solo hit and her big screen debut came with a musical hit, Dil Hai Ke Manta Nahin (1991), which was a remake of the Oscar-winning Hollywood classic It Happened One Night. Pooja received the Filmfare Best Female Debut Award for the film.
Her most well-known films in the 1990s included, Sadak opposite Sanjay Dutt (1991), Junoon, Dil Hai Ki Manta Nahin opposite Aamir Khan (1991), Sir (1993), Phir Teri Kahani Yaad Aayee (1993), "Tadipaar" (1993), Ghuneghar (1994), Naaraaz (1994) opposite Mithun Chakraborty, Hum Dono, Angrakshak opposite Sunny Deol (1995), Chaahat opposite Shahrukh Khan (1996), Tamanna (1997), super-hit and multi-starrer Border (1997) and Zakhm (1998). Pooja Bhatt has also acted in some popular hit regional Indian films.
Her last film appearance was in Everybody Says I'm Fine! in 2001. She has since focused on producing and directing. She made her directorial debut with Paap in 2004, starring John Abraham and Udita Goswami. Since then, she has made four more directorial ventures: Holiday (2006), Dhokha (2007), Kajraare (2010) and Jism 2.

http://t1.gstatic.com/images?q=tbn:ANd9GcRbhPnbZgGR74Z8190WRKd19eIcB8PTrMrg3UejHtnUjpccgoxaAwards and nominations

Winner

  • 1991 – Filmfare Face of the Year for Dil Hai Ke Manta Nahin
  • 1997 – National Film Award for Best Film on Other Social Issues for Tamanna
  • 1999 – Nargis Dutt Award for Best Feature Film on National Integration for Zakhm

http://cdn.fridayrelease.com/celebrities/photol/7-cele-img/pooja-bhatt-28.jpgFilmography

Year Film Role
1989 Daddy Pooja
1991 Dil Hai Ki Manta Nahin Pooja Dharamchand
Sadak Pooja
1992 Prem Deewane Radha
Jaanam Anjali
Saatwan Aasman Pooja Malhotra
Junoon Dr. Nita V. Chauhan
Phir Teri Kahani Yaad Aayee Pooja
Sir Pooja
Chor Aur Chand Reema D. Seth
Pehla Nasha Monica
Tadipaar Mohinidevi/Namkeen
1994 Kranti Kshetra Pooja
Kalloori Vaasal (Tamil film) Pooja
Naaraaz
1995 Gunehgar Pooja Thakur
Hum Dono Priyanka Surendra Gupta
Angrakshak Priyanka Choudhary/Priya
1996 Chaahat Pooja
Khilona
1997 Tamanna Tamanna Ali Sayed
Border Kammo
1998 Yeh Aashiqui Meri Anju
Kabhi Na Kabhi Tina
Angaaray Pooja
Zakhm Mrs. Desai
2000 Yeh Pyar Hi To Hai
Sanam Teri Kasam Seema Khanna
2001 Everybody Says I'm Fine! Tanya

http://images.mid-day.com/2012/aug/Pooja-Bhatt.jpgProducer

  • Tamanna (1997)
  • Dushman (1998)
  • Zakhm (1998)
  • Sur: The Melody of Life (2002)
  • Jism (2003)
  • Paap (2003)
  • Rog (2005)
  • Holiday (2006)
  • Jism 2 (2012)

Director

  • Paap (2003)
  • Holiday (2006)
  • Dhokha (2007)
  • Kajraare (2010)
  • Jism 2 (2012)

Production designer

  • Jism (2003)
  • Paap (2003)
  • Rog (2005)

Parveen Babi

http://gallery.oneindia.in/ph-big/2011/09/1317011473306631.jpgParveen a Babi (4 April 1949 – 20 January 2005) was an Indian actress, who is most remembered for her glamorous roles alongside top heroes of the 1970s and early 1980s in blockbusters like Deewar, Namak Halaal, Amar Akbar Anthony and Shaan.[1][2] Babi, along with Zeenat Aman was credited with making a lasting impact on the image of its leading actresses by bringing the western heroine look to Hindi cinema, and throughout her career has been considered a sex symbol.[3][4][5]is often cited as one of the most beautiful actresses to have ever appeared in Indian cinema.[6

Personal Life And Education

Parveen was born in Junagadh, Gujarat in a Muslim family. She did her early schooling from Mount Carmel High School, Ahmedabad and later attended St. Xavier's College, Ahmedabad where she emerged as a Master of Arts in English literature[7] Her father Vali Mohammed Babi (died 1959), was a System administrator with the Nawab of Junagadh and Jamal Bakhte Babi (died 2001). Her ancestors were Pathans of Gujarat and belonged to the Babi Dynasty.[8][9][10] Parveen was born fourteen years after the marriage of her parents and was the only child. She lost her father at the age of ten.
Parveen never married but had relationships with many married men; director Mahesh Bhatt, actors Kabir Bedi, and Danny Denzongpa.[11] She was also strongly rumoured to have had an affair with her co-star of many films, Amitabh Bachchan with whom she later developed irrational fears as she accused him of trying to kill her.[12][13] Bhatt later wrote and directed Arth (1982), a semi-autobiographical film about his relationship with Babi, and wrote and produced Woh Lamhe (2006) based on facts about his relationship with her.[14]

http://i2.listal.com/image/4291483/600full-parveen-babi.jpgCareer

Parveen's modelling career began in 1972 and was quickly followed by her film debut with the film Charitra (1973) opposite cricketer Salim Durani.[15] The film was a resounding flop but Parveen was noticed and was snapped up for several more films. Her first major hit was Majboor (1974) opposite Amitabh Bachchan. Along with Zeenat Aman, Parveen Babi helped change the image of the Indian film heroine. She was the first Bollywood star to appear on the front page of the Time (magazine)[16] in July 1976, much to the amazement of her contemporaries.
 
Parveen Babi during a shooting in 1979
Throughout her career, she was thought of more as a glamourous heroine than a serious actress. She was also known as a fashion icon. Famous designer Manish Malhotra says, "Parveen Babi brought minimalism into fashion. She was always impeccable, not overdoing it even once."[17]
Parveen was considered to be one of the most successful actresses of her era, along with Hema Malini, Rekha, Zeenat Aman, Jaya Bhaduri, Reena Roy and Raakhee. She starred opposite Amitabh Bachchan in eight films, all of which were either hits or super hits. She also starred in other hit films such as Suhaag (1979), Kaala Patthar (1979), and Namak Halaal (1982) opposite Shashi Kapoor, Kala Sona (1975) opposite Feroz Khan, and Jaani Dost (1983) opposite Dharmendra. Towards the end of her career, she appeared in offbeat films like Vinod Pande's Yeh Nazdeekiyan (1982), playing the role of the "other woman" opposite Marc Zuber, and Dil... Akhir Dil Hai (1982), opposite Naseeruddin Shah.[18]
She was often compared with her contemporary Zeenat Aman due to their common image of being sex-symbols. In fact, she acted alongside Zeenat in Mahaan (1983) and Ashanti (1982) (inspired by the American television show Charlie's Angels, with the third role played by Shabana Azmi). In films like Deewar (1975), Shaan (1980) and Namak Halaal (1982) her screen presence may have been minimal (the films largely working around the hero) but Babi brought a certain attractive aloofness to the roles and songs she appeared in. In the big hit movie, Kranti (1981), she stole scenes with her supporting role from Hema Malini, the heroine of the film.
Her memorable roles include as Jenny in Amar Akbar Anthony (1977), Sunita in Shaan, Anita in Deewaar. She was also the original choice to the role for the female protagonist in Silsila along with Smita Patil, but was later dropped by Yash Chopra, who said Babi was fine but Smita Patil was hurt, mainly because the filmmaker had asked his actor friend Shashi Kapoor to pass the bad news to Smita.[19]
Finally, She disappeared from the film scene in 1983 without informing anyone about her whereabouts, rising to exaggerated rumours or pompous claims started whispering in the industry that she might have been kidnapped and is under the control of Underworld Mafia. Many of her completed films released in the following years right uptill her last film Akarshan releasing in 1988.[20]

Popularity

Her popularity was so immense that often movie producers would line up at her door to sign her for their upcoming movie projects. Her career peaked at the time when most heroines were engulfed in Indian attribute and Babi was one among the few actresses whose attire was completely westernized and this made her unique among different breed of female artistes. Parveen Babi along with Zeenat Aman with their chiselled looks, well-sculpted bodies and anglicised accents donned the mantle of archetypal Indian heroine and imparted to the female prima donna of Bollywood their characteristic mannerisms forever .[21]


As Babi’s personality symbolized western standards, it would be difficult for Bollywood producers to personify her role in Indian sentiments. Hence she was given roles which were glamourous and represented standards of a film star quality and established her status as a ‘’first female superstar of Bollywood’’ or the ’’commercially successful heroine’’ and this paved the way to differ herself from the other contemporary actress in the Bombay Film Industry. She had appeared in most of the commercially successful films of that era and her famous co-stars include Amitabh Bachchan, Shashi Kapoor, Feroz Khan, Dharmendra, Rajesh Khanna, Vinod Khanna, Manoj Kumar and Rishi Kapoor who were all the leading stars of 1970’s and 1980’s.[22] In her acting career, which spanned for almost ten years, she has acted in more than fifty films, of which ten were considered to be best. These films were also blockbusters of those times. Parveen Babi replaced the image of saree clad, conventional Indian lead actresses with a glamorous and self-dependent woman look. She never shied away from portraying roles of women having a live-in relationship with men and consuming alcohol openly, both of which were a taboo in those times. She undeniably lit up and overpowered the screen with her presence. The fact that Parveen was paired with Amitabh Bachchan in 8 films during the peak of the Big-B mania attests to her stature and star power. It seems to have taken that only a superstar of Bachchan's stature could stand side by side with the presence of Parveen Babi. Amitabh and Parveen complemented each other in the heady first years of the "Angry Young Man" phenomenon.[23]

She would often appear in popular film songs which have become the craze of the young generations and such song picturisations involved glamorous costumes and ravishing film sets and in time would become hugely popular and this include the ones like Jawaani Jaaneman, Raat Baaqi Baat Baaqi in Namak Halaal, Pyaar Karne Waale in Shaan and Mara Thumka in Kranti, and deliberately this popularity made her among the highest paid actresses in Bollywood at those times. She would appear in front page of every film magazine, whether the Filmfare, The Stardust, Bombay Dyeing or even the prestigious Time (magazine).[22][24]

http://www.khabar-antar.com/image/url_images/3344_original.jpgLater life

On July 30, 1983, Parveen Babi left India and the film industry at the height of her career and travelled to various countries for a spiritual journey with U. G. Krishnamurti and her friend Valentine and spent most of the time in California, United States. On 7 April 1984, She was suspected at John F. Kennedy International Airport after she failed to submit her identification papers and as she behaved to be difficult, the authorities handcuffed her and kept her in a general ward with thirty other mentally disturbed patients. The Indian Consul General, who had been informed of the unfortunate incident, had personally come to visit her at the hospital. During U.G.'s visit, Parveen smiled and chatted with the Consul as though nothing had happened.[25][26][27]
When asked about how she felt about experiences of people and countries that she lived in, she replied, "my experience of people is that human beings are very good people. However, the powerful, to serve their vested power interests manipulate pressure and use ordinary human beings and their power ploy and force them into negative act. However, I believe, eventually, the human spirit of positive will triumph and as far as other attributes of people are considered I find Americans to be extremely progressive and ingenious race. And I identify a great deal with Americans."[28]
She returned to Mumbai in November 1989 where she was unrecognizable as her former self after having put on a considerable amount of weight. She was rumoured to have diagonised with Paranoid Schizophrenia, a genetic mental illness although she regularly denied it and said that it was a conspiracy by the film industry and the media to malign her image and make her appear as insane, so that they can cover up their crimes.[27] Some sources indicate that it could have been situation of acute depression, as she had many failed relationships and even one of her former lovers had openly humiliated her. This led Parveen to break relationships with most of her close dear ones including her own blood relations, having few contacts with known people and had become reclusive as she distrusted everyone.[29]
She accused many foreign dignitaries as well as Indian film personalities including Amitabh Bachchan, Bill Clinton, Robert Redford, Prince Charles, Al Gore, US government, British government, French government, BJP government, Roman Catholic Church, CIA, CBI, KGB, Mossad[30][31] of conspiring to kill her but her petition in court was dismissed for lack of evidence and when she was asked to show her evidences by the press, it was some sort of scribblings on notepad[27] In an Interview to a film magazine dated 1989, she said "Amitabh Bachchan is a super international gangster. He is after my life. His goons kidnapped me and I was kept on an Island where they performed a surgery on me and planted one transmitter/chip/electronic bug right under my ear." There was a photograph of Babi showing a scar below her ears.
During the early 1990s, whenever Press or Journalists would go to her then Kalumal estate apartment in Juhu for an interview, she would often ask them to eat her food and drink her water, so that she is assured her food is not poisoned and assume her makeup was contaminated, so that her skin should peel off and according to her, the International Mafia had cut off her electricity in order to harass her. Even before starting an interview, She would keep her Dictaphone on, announcing the day, date, time and the name of journalists and publication into the microphone and would record before the conversation began. Many Journalists found her to be very intelligent, vivid, convivial person and one who spoke fluent English. She would later refer to them as “agents of Amitabh Bachchan”[32] One of her neighbours said that when Bachchan film was shown on cable television, the actress reacted violently and had to be calmed.
Nevertheless she started a career as an interior decorator in 1991.[33] In 2002, she again hit the headlines when she filed an affidavit in the special court hearing the 1993 serial bomb blasts case, claiming that she had gathered clinching evidence against actor Sanjay Dutt showing his involvement in the case, but she did not turn up in court after being summoned saying that she was afraid of being killed.[27] In the last four years of her life, Babi recorded every phone call, always punctiliously informing the caller about surveillance.
She also had the habit of recording her daily thoughts and activities. Some of the collection of her notepads found in State Administrator General, Government office of Maharashtra gives her thought on hooks of suspicion and doubt and go on to repeat. What shines through is the meticulousness, say, in the planning of an event at her house. A few months before she died, Babi hosted a small Christmas dinner at her Juhu flat. The names of the seven guests are listed on the notepad, one of them is Reverend Avinash Rangayya (the pastor of All Saints Anglican Church, Church of North India at Malabar Hill). The French dishes on the menu are listed and next to them is a series of reminders: "Call caterer for knives, forks, glasses, spoons." "Get four bakery cakes." "Clean plates, table cloths." "Call florist." "Clean and prepare salad ingredients." And finally: "Asparagus".[34]
http://cdn.fridayrelease.com/celebrities/photol/17-cele-img/parveen-babi-50.jpg
She was said to have lived lonely and converted to Christianity during the late 1990s and also ate pork because she found not eating pork as racist.[35][36]
In an interview in 1998, she said, "I was born a Muslim and later, I converted to Christianity. But I have never done things I didn’t be­lieve. Even when I was a Muslim, I didn’t understand why it made me a more spiritual entity, if I did not eat pork. I always felt that the es­sence of spirituality lies in being a good human and following good, positive principles. The Golden Dragon Chinese restaurant at the Taj, those days, was quite famous for pork delicacies and every time I got a break from shooting, I would rush off to the Golden Dragon. Whenever my friends questioned me about my eating pork, I would say that it was more important for me to be a human being than a racist."[35]
However, she managed to maintain her posh penthouse apartment in Mumbai and lived affluently from sound financial investments.[37]

Death

She was found dead in her Mumbai apartment on 22 January 2005 after her residential society secretary alerted the police that she had not collected milk and newspapers from her doorstep for three days.[38] The police suspected that she may have been dead up to 72 hours before her body was found. The cause of her death was not immediately known. She was found to have gangrene of the left foot as a complication of her diabetic condition. A wheelchair was found near her bed, and series of disarranged paintings, clothes, medicines and old newspapers. She had a bandage on her left foot, that she had put on, to treat her gangrene which had resulted from a long ailment of diabetes. It is perhaps known that the actress was unable to walk in her last days due to gangrenous foot and used the help of a Wheel chair to move inside the house.[39] Her post mortem was conducted at Cooper Hospital and reports showed that there were no traces of food in her stomach but some alcohol (possibly from her medication) was found and it might be possible that she had not consumed anything for more than three days and sadly starved to death. The police ruled out any foul play and it was determined she succumbed due to all organ failure and an illness caused due to diabetes[40]
Parveen Babi converted to Christianity during the last years of her life as she claimed in an interview and was baptised in a Protestant Anglican Church at Malabar Hill[41] and expressed a desire to be buried as per Christian rites but her relatives who were Muslims claimed her body after her tragic death and buried her as per Islamic rites.[35][42] Hence Babi was buried next to her mother at Santacruz, Mumbai on 23 January 2005.[43]
After Parveen babi’s death, chaos were created, when various distant relatives filed petition in high court regarding the will of her property which had been lying in the locker of a Junagadh bank, operated jointly by the late actor and her friend Murad Khan Babi, but nevertheless her will was settled of which 70 per cent of her property was to be put in a trust to be created in her name to help poor members of the Babi family, 20 per cent has been pledged to Murad Khan Babi, for being "a guiding force", while 10 per cent was to be given to Christian missionary Funds.[44][45]
Five years later, due to scarcity of land space for burial, Parveen Babi's grave along with other luminous Bollywood celebrities such as Mohammed Rafi, Madhubala, Sahir Ludhianvi, Talat Mahmood, Naushad Ali who were interred at Santa Cruz Muslim Cemetery were desecrated and their remains were disposed off to provide space for new dead ones.[46][47][48]

http://im.rediff.com/movies/2010/jun/16slide3.jpgFilmography

Year Film Role
1973 Charitra
1974 Trimurti Sunila
Dhuen Ki Lakeer
Charitraheen
36 Ghante Naina Roy
Majboor Neelu
1975 Deewaar Anita
Kala Sona Durga
1976 Rangila Ratan
Mazdoor Zindabaad Kamla
Bhanwar Roopa D'Souza
Bullet Sapna
1977 Mastan Dada
Mama Bhanja
Darinda
Chandi Sona Rita
Chalta Purza Sheetal
Amar Akbar Anthony Jenny
1978 Pati, Patni Aur Woh Neeta
Aahuti Rekha
1979 Kaala Patthar Anita
Suhaag Anu
Chor Sipahee Bharti Khanna
1980 Gunahgaar
Ek Gunah Aur Sahi
Abdullah
Do Aur Do Paanch Anju Sharma
The Burning Train Sheetal Vinod Verma
Ek Do Teen Chaar
Shaan Sunita
1981 Raksha Chanda / Bijli
Kranti Sureeli
Khoon Aur Paani Reeta
Ahista Ahista
Meri Aawaaz Suno Rita
Kaalia Shalini / Rani Singh
1982 Yeh Nazdeekiyan Kiran
Taaqat
Namak Halal Nisha
Khud-Daar Mary
Desh Premee Dr.Priti
Ashanti Sunita
Dil Aakhir Dil Hai Sapna
1983 Razia Sultan Khakun
Chor Police Seema
Mangal Pandey Kavita
Gehri Chot: Urf - Door-Desh Renu
Arpan Sona
Rang Birangi Nirmal Sharma
Mahaan Manju
Jaani Dost Meena
1984 Teri Bahon Mein Dancer in an item number (Special Appearance)
Kanoon Meri Mutthi Mein
Bad Aur Badnaam
1985 Bond 303 Geeta
Ameer Aadmi Ghareeb Aadmi Dancer in an item number (Special Appearance)
Sitamgar Sheela
Telephone
1986 Avinash Nisha
1988 Akarshan Special Appearance
1991 Iraada

Nutan


http://t3.gstatic.com/images?q=tbn:ANd9GcTgh0WMBk5aGL5gF8sunGbvl4l6bBZ-9ZuJIuEgedX65d0GxCY6XANutan Behl (née Samarth) (4 June 1936 – 21 February 1991), better known as Nutan, was an Indian actress. She appeared in more than 70 Hindi films in a career spanning over four decades. Regarded as one of the finest female actors in the history of Hindi cinema,[1][2] Nutan was noted for playing unconventional parts, and her performances often received praise and accolades.[3]
Nutan started her career at the age of 14 in the 1950 film Hamari Beti, directed by her mother Shobhna Samarth. She subsequently starred in such films as Nagina and Humlog (both 1951). Her role in Seema (1955) garnered her wider recognition and a Filmfare Award for Best Actress. She continued playing leading roles through the 1960s until the late 1970s and went on win the award on four other occasions for her roles in Sujata (1959), Bandini (1963), Milan (1967) and Main Tulsi Tere Aangan Ki (1978). Some of her other films of this period include Sone Ki Chidiya (1958), Anari (1959), Chhalia (1960), Tere Ghar Ke Saamne (1963), Saraswatichandra (1968), Anuraag (1972) and Saudagar (1973).
In the 1980s, Nutan started playing character roles and continued working until shortly before her death. She portrayed mostly motherly roles in such films as Saajan Ki Saheli (1981), Meri Jung (1985) and Naam (1986). Her performance in Meri Jung earned her a sixth and last Filmfare Award, this time in the Best Supporting Actress category. Nutan holds the record of five wins of the Best Actress Award at Filmfare, which was held only by her for over 30 years until it was matched by her niece Kajol in 2011; she is overall the most-awarded actress in the female acting categories at Filmfare, with six awards alongside Jaya Bachchan.[4]In 1974, she was awarded the Padma Shri by the Government of India.
Nutan was married to Rajnish Behl from 1959 till her death of cancer in 1991. Their son, Mohnish Behl is a character actor in Hindi films and television.

http://t3.gstatic.com/images?q=tbn:ANd9GcR6NvsNL7dloiBLWMehc2xFb_-unA6OYTuslX7pB8f-6LQR55aIEarly life

Nutan was born into a Marathi family of four children as Nutan Samarth to director-poet Kumarsen Samarth and his actress wife Shobhna Samarth.[5] Nutan was the eldest child of actress Shobhna Samarth. She had three other siblings, 2 younger sisters and a younger brother. Her younger sister Tanuja is also an actress, and Chatura, who did not work in Bollywood. Her parents separated when she was still a child. Kajol, Tanuja's daughter, is an actress.

Career

Nutan is related to many of the screen stars of the past fifty years (see Mukherjee-Samarth family (film)).
She started her career as actress as a fourteen-year-old in Hamari Beti (1950). This film was produced by her mother, Shobhana. In 1952 she was the winner of Miss India.
Her first big break was Seema, for which she won her first Filmfare Best Actress Award. She followed her success with a romantic comedy, Paying Guest, in which she co-starred with Dev Anand. In 1959 she starred in two hit films, Anari (with Raj Kapoor) and Bimal Roy's Sujata (with Sunil Dutt). In the 1960s and 1970s she had many more successful films including Chhalia (1960), Saraswatichandra (1968), Devi (1970) and Main Tulsi Tere Aangan Ki (1978).
In 1960 she starred opposite Raj Kapoor once again in Manmohan Desai's Chhalia. She received another Filmfare nomination for the role. In a film review at the time, Filmfare wrote, "As the unfortunate girl disowned by her relatives for no fault of hers, Nutan puts over a superb and memorable portrayal."[6]
She formed a popular screen couple with co-star Dev Anand and the two acted in four films together - Paying Guest (1957), Baarish (1957), Manzil (1960) and Tere Ghar Ke Samne (1963).
In 1963, Nutan starred in Bimal Roy's socio-realist Bandini as Kalyani, a young prisoner who was convicted after poisoning the wife of her lover (Ashok Kumar). The story follows her life in prison and how later she has to make a choice between her past love and a young prison doctor (Dharmendra) who fell in love with her. Nutan had to be persuated to act in the film as she had quit acting post marriage.[7] Bandini was a major critical success, which was attributed by critics mostly to Nutan's portrayal, which regarded as one of the finest performances in the history of Hindi cinema.[8] The film won the Filmfare Award for Best Movie and she received her third Best Actress Award. The Bengal Film Journalists' Association, while ranking the film as the third-best Indian film of the year, acknowledged her with the Best Actress (Hindi section) award.[9] Author and critic Dinesh Raheja wrote, "Sans screaming hysteria-nics, Nutan puts across one of the finest performances seen on Hindi screen. She recognised and was perfectly in tandem with Kalyani's innate strength of character."[10] Film and theatre critic Gautaman Bhaskaran wrote for The Hindu, "Nutan as Kalyani gave perhaps her career's best performance. Splendidly expressive, her understated role is something that cannot be easily matched by today's painted heroines. Fear and anger show up so lividly in Nutan's eyes that they haunt you long after you have walked out of the theatre."[11] In 2010, Filmfare included her performance in its "80 Iconic Performances" list.[12] Anupama Chopra included the film in her list of "The 20 Best Hindi Films Ever Made", calling her role "one of Hindi cinema’s most complex and fully realized female characters," and further noting, "This was the role of a lifetime and Nutan, who ... gave it all. Her face raged with a grand passion and a quiet grace."[13]
Her fourth Filmfare Award came for Milan (1967). She starred opposite Amitabh Bachchan in 1973's Saudagar (1973), for which she received a sixth Filmfare nomination and a third BFJA award. In 1978, she made an astonishing return to the screen as the righteous Sanjukta Chauhan in Main Tulsi Tere Aangan Ki (1978). For this performance, she received an eighth Filmfare career nomination and won her fifth Filmfare best actress award, at the age of 42. She thus became a record holder in the category, having won five award for Best Actress at Filmfare. At age 42, she is also the oldest winner of the award. Nutan was perhaps the only actress of her generation to command leading roles in her 40s, with tremendous success. Following this, she starred in Saajan ki Saheli (1981), as an ignorant, jealous wife to a husband who knowingly befriends the daughter she abandoned at childbirth.
In the remaining 1980s she played roles in blockbuster films such as Meri Jung (1985), Naam (1986) and Karma (1986). Karma was notable for being the first time she was paired with actor Dilip Kumar. For Mere Jung she won a Filmfare Award for Best Supporting Actress. Her last film released while she was alive was Kanoon Apna Apna in 1989. She died in 1991 of cancer. Two of her films Naseebwala (1992) and Insaniyat (1994) were released after her death.

Legacy

Nutan was noted for her willingness to play unconventional roles and several of her roles were labelled "path-breaking". M.L. Dhawan from The Tribune wrote, "When squeakers and screamers ruled the roost, Nutan fine-tuned her dialogue delivery with an evocative voice. A natural throw was the hallmark of Nutan’s dialogue delivery. She was low key and mellow as she was peppery and sarcastic and yet made a strong impact." According to Dhawan, "a fleeting expression on her face conveyed much more than dialogue," and he further noted her for accepting only roles in which "she either played the main part or at least shared equal footing with the male counterpart."[3][14]
According to Encyclopaedia Britannica, Nutan "developed a natural acting style under Bimal Roy's direction."[15]
Actresses like Sadhana and Smita Patil noted Nutan as their influence.[16] Sadhana was once quoted as saying, "If there was any actress I modelled myself in the lines of it was the versatile Nutan in Seema, Sujata and Bandini. Parakh was a film where I really followed Nutan."[17] Filmmaker Sanjay Leela Bhansali said of her, "They don't make actresses like her anymore."[18]
In 2011, Rediff.com listed her as the third-greatest actress of all-time.[19]
Nutan’s narrative is depicted in the book Nutan – Asen Mi Nasen Mi written by famous Marathi author Lalita Tamhane. The book can be summarized as one describing Nutan’s life experiences, interactions with co-actors/family/friends, etc., as told by her to Lalita Tamhane.

http://photogallery.indiatimes.com/100-yrs-of-indian-cinema/50-beautiful-faces-100-years-of-indian-cinema/photo/19713445/50-Beautiful-Faces-100-years-of-Indian-Cinema.jpgPersonal life

On 11 October 1959, she married naval Lieutenant-Commander Rajnish Behl. Their son, Mohnish Behl, born in 1963, later entered films as well.
Nutan died in February 1991, of cancer, at the age of 54.

Awards and nominations

Civilian award

  • 1974: Padma Shri, India's fourth-highest civilian honour by the Government of India.

Filmfare Awards

  • Filmfare Best Actress Award – Won
    1956 Seema – Gauri
    1959 Sujata – Sujata
    1963 Bandini – Kalyani
    1967 Milan – Radha
    1978 Main Tulsi Tere Aangan Ki – Sanjukta Chouhan
  • Filmfare Best Supporting Actress Award – Won
    1985 Meri Jung
  • Filmfare Best Actress Award – Nomination
    1960 Chhalia – Shanti
    1973 Saudagar – Mahjubhi
  • Filmfare Best Supporting Actress Award – Nomination
    1973 Saudagar – Mahjubhi
    1973 Anuraag – Anu Rai
    1978 Main Tulsi Tere Aangan Ki[20] – Sanjukta Chouhan

Other Awards

  • BFJA Best Actress Award (Hindi) – Won
    1963 Bandini[21] – Kalyani
    1973 Milan[22] – Radha
    1974 Saudagar[23] – Mahjubhi

Filmography

Year Title Character Notes
1950 Hamari Beti Daughter
1951 Nagina
1951 Humlog
1952 Shisham
1952 Parbat
1953 Laila Majnu Laila
1954 Shabaab
1955 Seema Gauri
1956 Heer Heer
1957 Baarish Chanda
Paying Guest Shanti
Zindagi Ya Toofan
1958 Chandan
Dilli Ka Thug
Kabhi Andhera Kabhi Ujala
Sone Ki Chidiya Lakshmi
Aakhri Daao
1959 Anari Aarti Sohanlal
Kanhaiya Shanno
Sujata Sujata
1960 Basant
Chhabili
Chhalia Shanti
Manzil Pushpa
1962 Soorat Aur Seerat
1963 Bandini Kalyani
Dil Hi To Hai Jameela
Tere Ghar Ke Samne Sulekha
1964 Chandi Ki Deewar
1965 Khandaan Radha
Rishte Naate Savitri
1966 Chhota Bhai
Chilaka Gorinka Telugu film
Dil Ne Phir Yaad Kiya Ashoo, Shabnam
Kalapi
1967 Dulhan Ek Raat Ki Nirmala
Laat Saheb
Milan Radha
1968 Gauri Gauri
Saraswatichandra Kumud Sundari
1969 Bhai Bahen Mala
1970 Maa Aur Mamta Maya
Devi Devi
Maharaja
Yaadgaar Bhavna
1972 Anuraag Anu Rai
Grahan
1973 Saudagar Mahjubhi
1975 Jogidas Khuman
1978 Ek Baap Chhe Bete
Main Tulsi Tere Aangan Ki Sanjukta Chouhan
Saajan Bina Suhagan
1980 Saajan Ki Saheli Kunti Kumar
1982 Jiyo Aur Jeene Do
1983 Rishta Kagaz Ka Suman
1984 Yeh Kaisa Farz
1985 Yudh Savitri Devi
Paisa Yeh Paisa Laxmi
Meri Jung Aarti Deepak Verma
1986 Sajna Sath Nibhana Shobha Rana
Karma Mrs Vishwa Pratap Singh
Naam Jaanki Kapoor
1988 Main Tere Liye
1989 Kanoon Apna Apna Mrs. Singh
Mujrim Yashoda
1992 Naseebwala Sharda
1994 Insaniyat Shanti Devi

Nirupa Roy

Nirupa Roy (4 January 1931 – 13 October 2004) was an Indian actress who appeared in Hindi films. Roy was mostly known for portraying character roles of the Indian mother. She played leading roles in her early films and started playing mother roles during the 1970's – 80's. Her acting career spanned more than 50 years, and she acted in more than 475 films. She was referred to as the "queen of misery" in Hindi film circles.


http://www.bollywood-updates.net/wp-content/uploads/2012/09/2004102903210301.jpgPersonal life

Nirupa Roy was born as Kokila Kishorechandra Bulsara in Valsad, Gujarat. She was married to Kamal Roy when she was 15 and moved to Mumbai. They have two sons, Yogesh and Kiran. She was very friendly with actress Shyama. She died, after having a cardiac arrest, in Mumbai on 13 October 2004 at the age of 72. She was regarded as the greatest Mother of all times in Bollywood. She was Gujarati and taught children Gujarati before she acted in films.

http://www.bollywood-updates.net/wp-content/uploads/2012/09/Nirupa-Roy-500.jpgCareer

In 1946, Roy and her husband responded to an advertisement in a Gujarati paper looking for actors. She was selected and started her acting career with the Gujarati film Ranakdevi. The same year she acted in her first Hindi film, Amar Raj. One of her popular films was Do Bigha Zameen (1953). She largely played mythological characters in the films of the 1940's and 50's. Her image of a goddess was very strong and people would visit her home and seek her blessings. Among her co-stars were Trilok Kapoor, Bharat Bhushan, Balraj Sahni and Ashok Kumar.
In the 1970's, her roles as mother to the characters played by Amitabh Bachchan and Shashi Kapoor made her name synonymous to the impoverished suffering mother. Her role in Deewar (1975) and its dialogues with reference to a mother and son are used as clichés[1]. She is considered as one of the best character artistes in Indian cinema.

Awards

  • 1961 – BFJA Best Actress in Supporting Role, Chhaya[2]
  • 2003 – Filmfare Lifetime Achievement Award
  • Filmfare Best Supporting Actress Award
    1956 Munimji – Malti
    1962 Chhaya – Manorama/Aayah
    1965 Shehnaai – Shobha

http://t2.gstatic.com/images?q=tbn:ANd9GcQjd9g0TFYGzKI-_XjtM3OtE1IHRdAahpPlH5tZeikSI4ud_t-KDwFilmography

  • Lal Baadshah (1999)
  • Ganga Tere Desh Main (1988) .... Ajay's Mother
  • Mard (1985) .... Raju's (Mard) Mother
  • Pataal Bhairavi (1985)
  • Mawali (1983)
  • Betab (1983)
  • Teri Kasam (1982)
  • Khoon Aur Pani (1981)
  • Aatish (1979)
  • Suhaag (1979)
  • Amar Akbar Anthony (1979) .... Bharti
  • Kartavya (1979) .... Vijay's Mother
  • Khandaan (1979) .... Savitri G. Srivastav
  • Besharam (1979) .... Mrs. Ramchandra
  • Aaina (1977) .... Savitri R Shastri
  • Deewar (1975) .... Sumitra Devi
  • Pyar Ka Mausam .... Jamuna
  • Shaheed (1965) .... Durga Bhabhi
  • Aalha Udal (1962)
  • Dharmputra (1961)
  • Kangan (1959) .... Karuna
  • Baazigar (1959)
  • Dr. Z (1959)
  • Kavi Kalidas (1959)
  • Chaalbaaz (1958)
  • Do Roti (1957)
  • Janam Janam Ke Phere
  • Krishna Sudama (1957)
  • Laxmi Pooja (1957)
  • Naag Mani (1957)
  • Ram Hanuman Yuddha (1957)
  • Bajrang Bali (1956)
  • Sati Naag Kanya (1956)
  • Raj Durbar (1955)
  • Shri Ganesh Vivah (1955)
  • Shiv Kanya (1954)
  • Raj Ratan (1953)
  • Shuk Rambha (1953)
  • Rajrani Damayanti (1952)
  • Shiv Shakti (1952)
  • Dasavtaar (1951)
  • Jai Mahakali (1951)
  • Kashmir (1951)
  • Lav Kush (1951)
  • Shri Ganesh Janma (1951)
  • Shri Vishnu Bhagwan (1951)
  • Gadano Bel (1950)
  • Har Har Mahadev (1950)
  • Man Ka Meet (1950)
  • Veer Bhimsen (1950)
  • Garibi (1949)
  • Hamari Manzil (1949)
  • Mangalphera (1949)
  • Gunsundari (1948)
  • Hip Hip Hurray (1948)
  • Nanand Bhojai (1948) - Gujrati
  • Nanand Bhojai (1948) - Hindi
  • Shiv S

Neha Dhupia

Neha Dhupia (born 27 August 1980) is an Indian actress who appears in Bollywood films. She is a winner of the Femina Miss India title (2002).

http://t1.gstatic.com/images?q=tbn:ANd9GcRpXbcPwziLRzc4cxi8z0HToPuWCd3QCMhno9G6HWncysvocyI2Early life

Dhupia was born in Kochi, Kerala, India to a Punjabi Sikh family.[1] Her father, Commander Pradip Singh Dhupia, served in the Indian Navy and mother, Manpinder, is a homemaker. She went to Naval Public School then transferred to Army Public School, Dhaula Kuan, New Delhi.[2] She graduated from Jesus and Mary College in New Delhi, affiliated to the University of Delhi, majoring in History.[3]

http://tnews.in/wp-content/uploads/2013/04/Neha-Dhupia-dbt.jpgCareer

Dhupia made her acting debut in a play in New Delhi called Graffiti. Thereafter she appeared in a music video for Indipop band Euphoria and also modeled for various advertisement campaigns. She then appeared in the TV serial "Rajdhani[disambiguation needed]". In 2002 she entered the Femina Miss India pageant finishing in first place, winning the Femina Miss India Universe title, and was subsequently sent to the Miss Universe 2002 pageant in Puerto Rico. She was placed in the top 10.

Film career

Dhupia made her film debut in the 2003 Bollywood film Qyamat: City Under Threat (2003), which performed averagely at the box office. She rose to fame with her role in the film Julie and then appeared in Sheesha (2005) in a dual role of twin brother but the film did not do well at the box office. She then starred in films such as Kyaa Kool Hai Hum (2005) and Shootout at Lokhandwala (2007), which did well at the box office, and also featured in a segment of the anthology film Dus Kahaniyaan (2007).
 
Neha Dhupia in 2008
In the following years, Dhupia appeared in supporting roles in multiple critically and commercially acclaimed films including Chup Chup Ke (2006), Ek Chalis Ki Last Local (2007), Mithya (2008), Maharathi (2008), Singh Is Kinng (2008) and Dasvidaniya (2008). In 2011, she plays Eva Braun in the film Dear Friend Hitler -a film about Mahatma Gandhi.
Her most recent films are Paying Guest, Action Replayy, De Dana Dan and Pappu Can't Dance Saala . She has also worked on her first international project with Chris Kattan in IFC's Bollywood Hero. Neha Dhupia may work on Julie sequel few years down the line.[4]

http://img.india-forums.com/wallpapers/1280x800/27184-neha-dhupia.jpgFilmography

Year Film Role Other notes
2000 Nattu Odoru! Ninja Densetsu Meena Japanese
2003 Ninne Istapaddanu Telugu
Qayamat: City Under Threat Sapna
Villain Telugu, remake of Tamil's Villain.
2004 Julie Julie
Rakht: What If You Can See the Future Rhea Trehan Special Appearance
2005 Siskiyaan Ayesha Sheikh
Sheesha Sia/Ria Malhotra Double role / killer
Kyaa Kool Hai Hum Dr. Rekha
Garam Masala Maggi
2006 Fight Club – Members Only Komal Special Appearance
Teesri Aankh: The Hidden Camera Sapna
Chup Chup Ke Meenakshi Credited as Bandya
Utthaan Kiran Talreja
2007 Delhii Heights Suhana
Ek Chalis Ki Last Local Madhu
Shootout at Lokhandwala Rohini
Heyy Babyy Special appearance in song
Dus Kahaniyaan
2008 Rama Rama Kya Hai Drama Shanti
Mithya Sonam
Kabhi Pyar Na Karna Pakistani film in Urdu.
De Taali Sara Special Appearance
Singh Is Kinng Julie
Dasvidaniya Neha Dhanot
Maharathi Mallika
2009 Paying Guests Aarti Gupta
Bollywood Hero Lalima Lakhani Indian-American Miniseries.
De Dana Dan Anu Chopra
Raat Gayi Baat Gayi? Sophia Nominated, Star Screen Award for Best Supporting Actress
2010 Action Replayy Mona
Phas Gaye Re Obama Munni (Gangster)
2011 Parama Veera Chakra Razia Sultana Telugu Film
Dear Friend Hitler Eva Braun Amrapali Media Vision Film
Pappu Can't Dance Saala Mahak
2012 Maximum riyana
I M 24 Sheela
Kismet Love Paisa Dilli Cameo
Rush Lisa Kapoor
Dil Ne Dil Ko Pukara Girl In Item Song Releasing 12 December 2012
2013 Rangeelay Simmy Punjabi film
Ungli Filming[5]

http://www.peolpstar.com/images/Neha-Dhupia-03.jpgOther activities

She has run in the Mumbai Marathon to support the Concern India Foundation and helped to raise over 5 lakhs.[6] She also helped to raise money for victims of the 2011 Sikkim earthquake.[7] She performed in the GR8 Women's Award 2012.[8]

Neetu Singh

http://www.filmyfriday.com/wp-content/uploads/2009/05/neetu-singh.jpgNeetu Singh (also known as Neetu Kapoor) is an Indian Bollywood actress. She started acting from the age of 8 under the name Baby Sonia. She played Roopa in the 1966 movie Dus Lakh and a dual role in the film Do Kaliyaan. Her other notable films as a child actress were Waris and Pavitra Paapi. She made her debut as a leading actress in Rikshawala in 1972 and went onto appear in over 60 films. She left the film industry in 1983 after her marriage to frequent co-star Rishi Kapoor in 1980. She recently made a comeback after 26 years appearing opposite her husband in Love Aaj Kal (2009), Do Dooni Chaar (2010), and Jab Tak Hai Jaan (2012).


Early life

Neetu Singh was born in Pant Nagar, Delhi to Rajee Singh and Darshan Singh. She lived in Shanti Building, Peddar Road, Mumbai and attended the Hill Grange High School next door on Peddar Road

http://cdn.fridayrelease.com/celebrities/photol/5-cele-img/neetu-singh-10.jpgCareer

Neetu Singh made her debut as a child actress with films like Do Kaliyaan in the late 1960s. She started playing leading roles in 1972 with Rikshawala which was a flop. She took a small role in Yaadon Ki Baarat (1973), which became a hit, and her sizzling dance number to the song Lekar Hum brought her so much attention that she was immediately offered lead roles again. In most films, Neetu was cast as the fun-loving daughter or the 'optimistic' or 'lively' girlfriend. She acted with the top stars of her day, especially Rishi Kapoor with whom she appeared in 11 films. She has also acted opposite her future brother-in-law Randhir Kapoor in Kasme Vaade. The most successful films they acted in included Rafoo Chakkar (1974), Khel Khel Mein (1975), Kabhie Kabhie (1976), Amar Akbar Anthony (1977) and Doosra Aadmi (1978). She was nominated for Best Actress for the Star Screen Awards for her performance in the movie. She also won, along with Rishi Kapoor, Best Lifetime Jodi at the 2011 Zee Cine Awards. She was also paired opposite actors like her future uncle-in-law Shashi Kapoor, Amitabh Bachchan, Jeetendra and Shatrughan Sinha in hit films like Deewaar (1975), Adalat (1976), Dharam Veer (1977), Jaani Dushman (1979) and Kaala Patthar (1979).
On screen and off it, Neetu and Rishi Kapoor fell in love. This led to the couple tying the knot in January 1980 after a much publicized engagement that was the talk of Bollywood. Neetu was 21 at that time. She was at the top of her career, having just been nominated for a Filmfare Award as Best Supporting Actress for Kaala Patthar (1979),[1] but she retired.[2] She dismissed allegations that she left films because it was customary for actresses married to the famous Kapoor family to retire after marriage, claiming that it was her 'personal choice.'.[3]
She made a comeback to films after 26 years appearing opposite her husband in Love Aaj Kal (2009), Do Dooni Chaar (2010) and Jab Tak Hai Jaan (2012).

Personal life

 
Singh with husband Rishi Kapoor at IIFA 2012
Nitu is married to actor Rishi Kapoor with whom she has two children. Daughter Riddhima, a fashion designer, married Delhi-based industrialist Bharat Sahni on 25 January 2006. Son Ranbir Kapoor is a Bollywood actor. Riddhima gave birth to a daughter named Samara in March 2011.[4]

Filmography

  • 1966 Suraj
  • 1967 Dus Lakh
  • 1968 Do Kaliyaan
  • 1970 Ghar Ghar Ki Kahani
  • 1972 Pavitra Paapi
  • 1973 Rickshawala
  • 1973 Yaadon Ki Baaraat
  • 1974 Shatranj Ke Mohre
  • 1974 Aashiana
  • 1974 Hawas
  • 1975 Khel Khel Mein
  • 1975 Rafoo Chakkar
  • 1975 Zinda Dil
  • 1975 Deewaar—Leena Narang
  • 1975 Sewak
  • 1976 Sharafat Chhod Di Maine
  • 1976 Aadalat
  • 1976 Shankar Dada
  • 1976 Kabhie Kabhie
  • 1976 Maha Chor
  • 1977 Parvarish
  • 1977 Amar Akbar Anthony
  • 1977 Doosra Aadmi
  • 1977 Zamanat
  • 1977 Dhongee
  • 1977 Maha Badmash
  • 1977 Chor Sipahee
  • 1977 Dharam Veer
  • 1977 Ab Kya Hoga
  • 1977 Priyatama
  • 1977 Andolan
  • 1978 Kasme Vaade
  • 1978 Heeralal Pannalal
  • 1978 Anjane Mein
  • 1978 Chakravyuha (1978 film)
  • 1979 Jhoota Kahin Ka
  • 1979 The Great Gambler
  • 1979 Aatish
  • 1979 Kaala Patthar
  • 1979 Bhala Manus
  • 1979 Yuvraj
  • 1979 Duniya Meri Jeb Mein
  • 1979 Zahreelee
  • 1980 Chunauti
  • 1980 The Burning Train
  • 1980 Dhan Daulat
  • 1980 Choron Ki Barat
  • 1980 Kaala Pani
  • 1981 Ek Aur Ek Gyarah
  • 1981 Khoon Ka Rishta
  • 1981 Yaarana
  • 1981 Waqt Ki Deewar
  • 1982 Chorni
  • 1982 Raj Mahal
  • 1982 Teesri Aankh
  • 1983 Ganga Meri Maa
  • 2009 Love Aaj Kal
  • 2010 Do Dooni Chaar
  • 2012 Jab Tak Hai Jaan
  • 2013 Besharam