Saturday 13 April 2013

Meenakshi Sheshadri

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Original Name:  Shashikala Sheshadri
Date of Birth (Birthday):  13 November
Zodiac Sign:  Scorpio
Hair Color:  Black
Birth Place:  India
Marital Status:  Married
Languages:  Hindi, English

Meenakshi Seshadri was born in Sindri, Jharkhand. She is trained in four Indian classical dance forms: Bharata Natyam, Kuchipudi, Kathak and Odissi. She studied dance under Vempati Chinna Satyam and Jaya Rama Rao.[2][3]
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Career

Meenakshi Seshadri, born as Shashikala Seshadri, made her debut in Painter Babu , Telugu/Hindi bilingual film (1982) opposite Rajiv Goswami, Brother of Manoj Kumar. She shot to fame with the mega hit film Hero directed by Subhash Ghai. She was nominated for a Filmfare Award for her role in the film Damini. She acted in her last film Ghatak in (1997). Meenakshi appeared in a number of films like Awara Baap alongside Madhuri Dixit and Rajesh Khanna, Bewafai alongside Rajnikant and Rajesh Khanna, Meri Jung opposite Anil Kapoor, Inaam Dus Hazaar opposite Sanjay Dutt, Shahenshah opposite Amitabh Bachchan, Vijay opposite Anil Kapoor. Meenakshi Sheshadri had the privilege of working with the best Bollywood banners as well as distinguished actors.
Known for her angelic beauty and impeccable dance performances, Meenakshi is among the few actresses who did not stereotype their on screen image. Her magnetism would bring liveliness to every film she worked in. Although she was appreciated for all her films, her high came when she was paired opposite superstar Amitabh Bachchan in 1988's Shahenshah. The film, though considered then as a flop, was a money-spinner and is said to have made more money than any other blockbuster film. Her groundbreaking performance was in Damini released in 1993. Directed by famed filmmaker Rajkumar Santoshi, it also starred Rishi Kapoor, Sunny Deol, Amrish Puri, Tinu Anand, and Paresh Rawal. The film was based on the sensitive subject of injustice towards a rape victim. Damini became a mega-success and received a number of awards including the coveted National Film Award. Meenakshi won accolades for her versatility and display of varied sets of emotions on screen.
In the 1993, she appeared in Aadmi Khilona Hai opposite Govinda. Meenakshi played the female lead in 1996 blockbuster Ghatak opposite Sunny Deol. Directed by Rajkumar Santoshi, it was her last film.

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Personal life

She retired from cinema after marrying investment banker Harish Mysore. She had a civil wedding, a registered shaadi, in New York.[4] The couple have two children, daughter Kendra and son Josh. Meenakshi lives in Plano, Texas,.[5] There, she teaches Bharatanatyam, Kathak and Odissi. She performs with her students at charity events and fundraisers.[citation needed] A philanthropist, Meenakshi and her disciples performed at the American Association of Physicians of Indian Origin (AAPI) convention in California.

Awards and nominations

Seshadri was nominated for Filmfare Best Actress Award for Jurm in 1991 and for Damini in 1994.

Filmography

Meena Kumari

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Original Name:  Begum Mahajabeen Bano
Date of Birth (Birthday):  1 August, 1932
Date of Death:  31/03/1972
Hair Color:  Black
Birth Place:  Bombay
Religion:  muslim
Education:  Army Public School, Delhi
Languages:  Hindi, English

Meena Kumari was the third daughter of Ali Baksh and Iqbal Begum; Khursheed and Madhu were her two elder sisters. At the time of her birth, her parents were unable to pay the fees of Dr. Gadre, who had delivered her, so her father left her at a Muslim orphanage, however, he picked her up after a few hours.
Her father, a Shia Muslim, was a veteran of Parsi theater, played harmonium, taught music, and wrote Urdu poetry. He played small roles in films like Id Ka Chand and composed music for films like Shahi Lutere.
Her mother was the second wife of Ali Baksh. Before meeting and then marrying Ali Baksh, she was a stage actress and dancer, under the stage name, Kamini and belonged to the well known Tagore family of Bengal.

Early work

When Mahjabeen was born, Ali Bakhsh aspired to get roles as an actor in Rooptara Studios. At the urging of his wife, he got Mahjabeen too into movies despite her protestations of wanting to go to school. Young Mahjabeen is said to have said, "I do not want to work in movies; I want to go to school, and learn like other children."
As Mahjabeen embarked on her acting career at the age of 7, she was renamed Baby Meena. Farzand-e-Watan or Leatherface (1939) was her first movie, which was directed for Prakash Studios by Vijay Bhatt. She became practically the sole breadwinner of her family during the 1940s. Her early adult acting, under the name Meena Kumari, was mainly in mythological movies like Veer Ghatotkach (1949), Shri Ganesh Mahima (1950), and fantasy movies like Alladin and The Wonderful Lamp (1952).

Breakthrough

Meena Kumari gained fame with her role as a heroine in Vijay Bhatt's Baiju Bawra (1952). This heroine always negated herself for the material and spiritual advancement of the man she loved and was even willing to annihilate herself to provide him the experience of pain so that his music would be enriched. She became the first actress to win the Filmfare Best Actress Award in 1953 for this performance.
Meena Kumari highly successfully played the roles of a suffering woman in Parineeta (1953), Daera (1953), Ek Hi Raasta (1956), Sharda (1957), and Dil Apna Aur Preet Parayi (1960). Though she cultivated the image of a tragedienne, she also performed commendably in a few light-hearted movies like Azaad (1955), Miss Mary (1957), Shararat (1959), and Kohinoor (1960).
One of her best-known roles was in Sahib Bibi Aur Ghulam (1962), which was produced by Guru Dutt. Kumari played Chhoti Bahu, an alcoholic wife. The film was a major critical and commercial success, which was attributed by critics to Kumari's performance, which is regarded as one of the best performances of Hindi Cinema.[4] The role was famous for its uncanny similarity to Meena Kumari's own life. At that time, she herself was on a road to gradual ruin in her own personal life. Like her character, she began to drink heavily, though she carried on. In 1962, she made history by getting all the three nominations for Filmfare Best Actress Award, for her roles in Aarti, Main Chup Rahungi, and Sahib Bibi Aur Ghulam. She won the award for Sahib Bibi Aur Ghulam. Upperstall.com wrote about her performance,
"While each of the performances are spot on, if there is one person who is the heart and soul of the film, it is Meena Kumari. Her portrayal of Chhoti Bahu is perhaps the greatest performance ever seen on the Indian Screen. The sequence where Chhoti Bahu dresses for her husband singing Piya Aiso Jiya Main is a poignant exploration of a woman's expectations and sexual desire, and later on when she has become a desperate alcoholic, you cannot help but cry with her in the sequence where she pleads with her husband to stay with her and then angrily turns on him to tell him how she has prostituted her basic values and morals to please him. However the common factors between the actress's life and Chhoti Bahu are too dramatic to be merely coincidental - The estranged marital relationship, the taking of alcohol, turning towards younger male company, the craving to be understood and loved - all elements evident in Meena Kumari's own life."[5]

Later work

For four more years, Kumari performed successfully in Dil Ek Mandir (1963), Kaajal (1965), and Phool Aur Patthar (1966), all of which earned her Filmfare nominations, with Kaajal garnering her a fourth and last win of the Best Actress award. However, after divorcing her husband in 1964, her addiction to alcohol became stronger, and she often dulled her senses with liquor. She also relied more and more on intimate relationships with younger men like Dharmendra. Her subsequent releases, including Chandan Ka Palna and Majhli Didi did not do well.[1]
Kumari's heavy drinking had badly damaged her liver, and in 1968 she fell seriously ill.[1][6] She was taken to London and Switzerland for treatment. Back home, she started settling her debts and made peace with her estranged sister, Madhu, whom she had not spoken to for two years.[6] Because of her heavy drinking, she increasingly lost her good looks, and when she returned, she began playing character roles in movies like Jawab (1970) and Dushmun (1972).[1]
She developed an attachment to writer-lyricist Gulzar and acted in his directorial debut Mere Apne (1971). Kumari presented an acclaimed portrayal of an elderly woman who got caught between two street gangs of frustrated, unemployed youth and got killed, her death making the youth realise the futility of violence.
Pakeezah, starring Kumari and directed by her ex-husband Kamal Amrohi, took 14 years to reach the silver screen. First planned by Amrohi in 1958, the film went on the studio floors in 1964, but the shooting came to a standstill after their separation in March 1964, when it was more than halfway complete.[6] In 1969, Sunil Dutt and Nargis previewed some reels of the shelved film and convinced the estranged Amrohi and Kumari to complete it.[1] Hindustan Times described the meeting which Dutt had organised between the two:
"Not much was said, but streams of tears were shed... Amrohi greeted her with a token payment of a gold guinea and the promise that he’d make her look as beautiful as the day she had started the film."[6]
Gravelly ill, Kumari was determined to complete the film and, well aware of the limited time left for her to live, went out of her way to complete it at the earliest. Despite her rapidly deteriorating health, she gave the finishing touches to her performance. Initially, after its release in February 1972, Pakeezah opened to a lukewarm response from the public; however, after Meena Kumari's death less than two months later, people flocked to see it, making it a major box-office success. The film has since gained a cult and classic status, and Kumari's performance as a golden-hearted Lucknow prostitute drew major praise. She posthumously received her twelfth and last Filmfare nomination.
Throughout her life, Kumari had a love-hate relationship with movies, and besides being a top-notch actress, she was a talented poetess, and recorded a disc of her Urdu poems, I write, I recite with music by Khayyam.

Death

Three weeks after the release of Pakeezah, Meena Kumari became seriously ill, and died on 31 March 1972 of liver cirrhosis. At her death, she was in more or less the same financial circumstance as her parents at the time of her birth: It is said that when she died in a nursing home, there was no money to pay her hospital bills. She was buried at Rahematabad Qabristan located at Narialwadi, Mazgaon, Mumbai.
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Relationship with Kamal Amrohi

In 1952, on the sets of one of her films, Meena Kumari fell in love with and married film director, Kamal Amrohi, who was fifteen years elder than her and was already married. She wrote about Amrohi:
"Dil saa jab saathi paya
Bechaini bhi woh saath le aaya"

(When I found someone like my heart
He also brought sorrow with him)
Soon after marriage, Kamal Amrohi and Meena Kumari produced a film called Daera (1953), which was based on their love story. They also planned another film, Pakeezah. However, it took sixteen years (1956 to 1972) before Pakeezah reached the silver screen. (The scenes in Pakeezah's popular song, Inhi logon ne, were originally filmed in black and white, and were later reshot in color.)
It is said that Amrohi did not want children with Meena Kumari because she was not a Syed. They raised Kamal Amrohi's son, Tajdaar, who was greatly attached to his chhoti ammi (younger mother).
Due to their strong personalities, however, Meena Kumari and Kamal Amrohi started to develop conflicts, both professionally and in their married life. Their conflicts led to separation in 1960, and ultimately divorce in 1964. Highly affected Meena Kumari, who, once a happy woman, became depressed and found solace in heavy drinking. They remarried, but Meena Kumari had become an alcoholic by then.
She expressed her sorrows prominently in her poetry. About Kamal Amrohi she wrote:
"Tum kya karo ge sun kar mujh se meri kahani
Bay lutf zindagi ke qissay hain pheekay pheekay"

(Why do you want to listen to my story:
Colourless tales of a joyless life)
At the time of the divorce, she wrote:
"Talaaq to day rahay ho Nazar-e-qehar ke saath
Jawani bhi meri lauta do Mehar ke saath"

(You are divorcing me with rage in your eyes
Return to me, also, my youth along with the alimony!)

Filmography

  • Gomti Ke Kinare (1972) .... Ganga
  • Pakeezah (1972) .... Nargis/Sahibjaan
  • Dushmun (1971) .... Malti R. Din
  • Mere Apne (1971) .... Anandi Devi/Auaji (Aunt)
  • Jawab (1970) .... Vidya
  • Saat Phere (1970)
  • Abhilasha (1968) .... Mrs. Meena Singh
  • Baharon Ki Manzil (1968) .... Nanda S. Roy/Radha Shukla
  • Bahu Begum (1967) .... Zeenat Jahan Begum
  • Chandan Ka Palna (1967) .... Shobha Rai
  • Majhli Didi (1967) .... Hemangini 'Hema'
  • Noorjehan (1967)
  • Phool Aur Patthar (1966) .... Shanti Devi
  • Pinjre Ke Panchhi (1966) .... Heena Sharma
  • Bheegi Raat (1965)
  • Jadui Angoothi (1965)
  • Kaajal (1965) .... Madhavi
  • Purnima (1965) .... Purnima V. Lal
  • Maain Bhi Ladki Hun (1964) .... Rajni
  • Benazir (1964) .... Benazir
  • Chitralekha (1964) .... Chitralekha
  • Gazal (1964) .... Naaz Ara Begum
  • Sanjh Aur Savera (1964) .... Gauri
  • Akeli Mat Jaiyo (1963) Seema
  • Dil Ek Mandir (1963) .... Sita
  • Kinare Kinare (1963)
  • Aarti (film) (1962) .... Aarti Gupta
  • Main Chup Rahungi (1962) .... Gayetri
  • Sahib Bibi Aur Ghulam (1962) .... Chhoti Bahu
  • Bhabhi Ki Chudiyan (1961) .... Geeta, Shyam's wife
  • Pyaar Ka Saagar (1961) .... Radha/Rani B. Gupta
  • Zindagi Aur Khwab (1961) .... Shanti
  • Bahaana (1960)
  • Dil Apna Aur Preet Parai (1960) .... Karuna
  • Kohinoor (1960)
  • Ardhangini (1959) .... Chhaya
  • Chand (1959)
  • Char Dil Char Raahein (1959) .... Chavli
  • Chirag Kahan Roshni Kahan (1959) .... Ratna
  • Jagir (1959)
  • Madhu (1959)
  • Satta Bazaar (1959) .... Jamuna
  • Shararat (1959)
  • Farishta (1958)
  • Sahara (1958) .... Leela
  • Savera (1958)
  • Yahudi (1958) .... Hannah
  • Miss Mary (1957) .... Miss Mary/Laxmi
  • Sharada (1957) .... Sharada Ram Sharan
  • Bandhan (1956)
  • Ek-Hi-Rasta (1956) .... Malti
  • Halaku (1956) .... Niloufer Nadir
  • Mem Sahib (1956) .... Meena
  • Naya Andaz (1956)
  • Shatranj (1956)
  • Adl-E-Jahangir (1955)
  • Azaad (1955) .... Shobha
  • Bandish (1955) .... Usha Sen
  • Rukhsana (1955)
  • Baadbaan (1954)
  • Chandni Chowk (1954) .... Zarina
  • Ilzam (1954)
  • Daera (1953) .... Sheetal
  • Dana Paani (1953)
  • Do Bigha Zamin (1953) .... Thakurain
  • Foot Path (1953) .... Mala
  • Naulakha Haar (1953) .... Bijma
  • Parineeta (1953) .... Lalita
  • Aladdin Aur Jadui Chirag (1952)
  • Baiju Bawra (1952) .... Gauri
  • Tamasha (1952) .... Kiran
  • Hanumaan Pataal Vijay (1951)
  • Lakshmi Narayan (1951)
  • Madhosh (1951) .... Soni
  • Sanam (1951)
  • Anmol Ratan (1950)
  • Hamara Ghar (1950)
  • Magroor (1950)
  • Shri Ganesh Mahima (1950)
  • Veer Ghatotkach (1949) .... Surekha
  • Bichchade Balam (1948)
  • Piya Ghar Aaja (1947)
  • Bachchon Ka Khel (1946)
  • Duniya Ek Sarai (1946)
  • Lal Haveli (1944)
  • Pratiggya (1943)
  • Garib (1942)
  • Bahen (1941) (as Baby Meena) .... Bina
  • Kasauti (1941)
  • Nai Roshni (1941)
  • Ek Hi Bhool (1940)
  • Pooja (1940)
  • Leatherface (1939)

Filmfare Awards

Bengal Film Journalists' Association Awards

Meena Kumari has won several awards at the Bengal Film Journalists' Association Awards (BFJA)
  • 1963 Best Actress (Hindi): Aarti
  • 1965 Best Actress (Hindi): Dil Ek Mandir
  • Special Award: Pakeezah[8]

Manisha Koirala

Nick Name:  Manya, Manu
Date of Birth (Birthday):  16 August, 1970
Zodiac Sign:  Leo
Height:  5'5"
Hair Color:  Black
Birth Place:  Kathmandu, Nepal
Marital Status:  Single
Languages:  Hindi, English
http://www.hindilyrics.net/profiles/pics/manish1.jpg
Recognised for her acting prowess, Koirala was noted for her performances in films such as Bombay, Akele Hum Akele Tum (both 1995), Khamoshi: The Musical (1996), Dil Se.. (1998), and Company (2002). She has won the Filmfare Critics' Award thrice and has received four nominations for the Filmfare Award for Best Actress so far. Although box-office collections of her films have varied considerably, critics have noted that her niche as an actor remains unharmed irrespective of her commercial potent.[4][5] Off-screen she is frequented in the media as a "controversy's child" with her bohemian stance and candid comments often described as "outspoken" and "bold".
Manisha Koirala was born in Kathmandu, Nepal, Koirala family to Prakash Koirala and Sushma Koirala. Her grandfather Bishweshwar Prasad Koirala was the Prime Minister of Nepal during the late 1950s-early 1960s, as well as two of her late great-uncles, Girija Prasad Koirala and Matrika Prasad Koirala. Her father Prakash Koirala has also been a prominent politician and a Cabinet Minister. She studied at Vasant Kanya Mahavidhyalaya (VKM), Varanasi until Class X. She stayed with her grandmother in Varanasi during her studies. After passing tenth standard she shifted to the Army Public School, Dhaula Kuan, New Delhi (APS).[9] Her ambition was to be a doctor, but a modelling stint opened a career path into Bollywood.[10]
Her brother Siddharth Koirala is also an actor, and collaborated with her once in the film Anwar.[11]
In 2004, she returned from New York after receiving a diploma in filmmaking. She became a member of an independent documentary filmmaker's society.[12]

1980s

Her first film was Pheri Bhetaula (We Shall Meet Again), a Nepali movie released in early 1989.

1990s

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Her first Hindi movie was Subhash Ghai's Saudagar in 1991. The film proved to be a good beginning, as it was the biggest hit of the year.
She starred in a number of unsuccessful films during 1992–1993 until Vidhu Vinod Chopra's love saga 1942: A Love Story (1994) and Mani Ratnam's Tamil drama Bombay (1995) came out.[13][14] Her performance in the latter was particularly appreciated and won her the Filmfare Award for Best Tamil Actress and Filmfare Critics Award for Best Performance. She was also seen in more commercial films, such as Mansoor Khan's romantic musical Akele Hum Akele Tum (1995) opposite Aamir Khan. Her role of Kiran, an ignored wife who leaves her husband and child in order to fulfill her singing talent and subsequently becomes a popular star, earned her a Filmfare nomination for Best Actress.
Koirala had a particularly successful year in 1996. She received positive reviews for her performance in the drama Agni Sakshi,[15] where she played the role of a battered wife on the run from her mentally ill husband, played by Nana Patekar. The film became one of the biggest hits of that year at the Indian box office.[16] Later that year, she acted in Sanjay Leela Bhansali's directorial debut, Khamoshi: The Musical. The film saw her playing the role of Annie, a caring daughter to deaf parents. Her performance was highly acclaimed,[17] and won her a second consecutive Filmfare Best Performance Award, as well as a Star Screen Award for Best Actress. One critic from Channel 4 wrote, "Koirala... demonstrates the full range of her acting ability, rather than playing against it as she has had to do in more traditional films. The scene where she shouts at her father through the door, screaming and using sign language even though she knows he can neither see nor hear her, is extremely powerful."[18] Filmfare magazine later included her performance in the film on its "80 Iconic Performances" list.[19]
Manisha Koirala from Gupt: The Hidden Truth (1997)
One year later in 1997, she played the leading role alongside Kajol and Bobby Deol in the thriller Gupt: The Hidden Truth. The film became one of the biggest hits of the year.[20]
She went on to collaborate once again with Mani Ratnam, and starred in his award-winning film Dil Se.. (1998) opposite Shahrukh Khan. Her role received similarly good reviews, and earned her several award nominations including the Filmfare Best Actress Award nomination. Despite performing poorly at the box office in India, the film proved to be a hit overseas.[21] Success followed for Koirala, and she went on to act in several critically and commercially successful projects. In 1999, she starred in the moderately successful Kachche Dhaage (1999), which was followed by six more releases, the most notable of them being Indra Kumar's drama Mann. She played the role of a traffic accident victim in the film, which entered into the top five highest grossing films of the year.[22] Her performance in the film won her favourable reviews. Film critic M. Ali Ikram wrote about her performance, "If there is respite for Manisha's innumerable fans of late, this flick is it. We may not care about hits and flops, but it is painful to watch this acting virtuoso in the innumerable side roles she has been seen in of late. Indra Kumar's decision to cast Manisha here, is a case of perfect casting, and she never lets him or the audience down. This lady is truly the Meena Kumari of her generation. It is great fun watching Manisha and Aamir Khan's perfect chemistry opposite one another. The film's climax has both stars permanently molding a spot for themselves in Bollywood history, and it will have you shedding tears by the bucketful."[23]
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2000s

In 2000 she hosted the TV show Sawaal Dus Crore Ka on Zee TV alongside Anupam Kher. In 2001, she starred in the drama Grahan opposite Jackie Shroff. Her portrayal of a rape victim in the film who quests for justice was appreciated, but the film, which was a much-delayed project, was a major commercial failure. She next played the main protagonist in Rajkumar Santoshi's drama Lajja along with an ensemble cast that included Rekha, Anil Kapoor and Madhuri Dixit. The film received a positive reception from critics, and so did Koirala's performance. Her last release of the year was Moksha opposite Arjun Rampal, which was a failure at the box office.
In 2002, she starred opposite Ajay Devgan in Ram Gopal Verma's Company. The film was a critical success, as was Koirala's performance in it, and she won her third Filmfare Critics' Best Actress Award. In that same year, she appeared in Ek Chotisi Love Story. The film was released amidst controversy as she accused the director of the film, Shashilal Nair of using her body double to shoot some love scenes in the film and portraying her in bad light by shooting positions using another actress in her place, without her approval to do so. Koirala demanded that Nair re-shoot these scenes because the double's body did not match her physique and required that these scenes be deleted from the film. She later claimed that Nair had stipulated that he would re-shoot the scenes only if she agreed to bear half of the expenses. She said, "I always believed in Shashi. I did this film out of sheer goodwill. I had nothing to gain from it financially as I did the film for free. I also gave him all the dates immediately. It was his first chance to direct a film in four years. He has a family to support and I couldn't bear to see a friend in hardship." Koirala decided to sue Nair and moved the court against him, objecting to the alleged nudity and obscene postures, and pleaded that these scenes be deleted from the film, saying she had not performed in these scenes and that Nair had made use of another actress for them.[24] Finally, the court decided to stay the release of the film.[25]
After years of success, in 2003 she was seen in several low budget films, yet not less challenging roles. She ventured into strong woman-oriented films in 2003, such as Escape From Taliban which won her the BFJA Award for Best Actress. She then played the main protagonist in Market (2003), a film portraying the whole life story of a young prostitute. The film was a decent success at the box office.[26]
After receiving a diploma in filmmaking, she produced the small-budget caper-comedy Paisa Vasool (2004) in which she starred along with Sushmita Sen; this was probably the first ever chick-flick in Indian cinema in that it did not have a male lead nor a love story.
Overall, Koirala starred as the leading role in 6 high-budget, successful Tamil movies: Bombay (1994) co-starring Arvind Swamy, Indian (1996) co-starring Kamal Hassan, Mudhalvan (1999) co-starring Arjun, Aalavandhan (2001) co-starring Kamal Hassan, Baba (2002) co-starring Rajnikanth and Mumbai Express (2005) co-starring Kamal Hassan.
Since then, she has played supporting and leading roles in various unsuccessful films, some of which being well received by critics, such as the historical epic drama Taj Mahal: An Eternal Love Story (2005), the thriller Tum - A Dangerous Obsession (2005), and the horror film Anjaane – The Unknown (2006).
In Anwar, she played a supporting role along with her brother Siddharth Koirala, her only release in 2007.
In 2008, she made her comeback to films, with her first leading role since Mumbai Express (2005), in Tulsi, opposite Irrfan Khan. Although pre-release her comeback was described by the media as "shocking", and the film suffered from poor marketing,[27] her performance as Tulsi, a young homemaker diagnosed with blood cancer, was well received. Taran Adarsh from indiaFM wrote, "Manisha Koirala sinks her teeth in this role and delivers a fine performance."[28] She next starred in Sirf (2008), a movie about four couples from different strata of life, which portrays the lifestyle of people in metro. The film, which was released without any notice or publicity, was a major critical failure and faced a low box-office opening, with most shows being cancelled out due to its poor critical response.[29] Her first Bengali film Khela directed by Rituparno Ghosh also released the same year along with long delayed Hindi film Mehbooba, both films released on the same day.[30]
In December 2009, she served as the Jury member in the fifth edition of Dubai International Film Festival.[31]

2010s

In 2010, she made her foray into Malayalam cinema with Shyamaprasad's Elektra, a psycho-sensual drama based on Sophocles's ancient Greek tragic play Electra. She plays the main antagonist in the film which revolves around the concept of Electra Complex that is a daughter's psychosexual competition with her mother for her father's affection.[32] The film premiered at the International Film Festival of India, where it was well received.[33] Later that year, she acted in Partho Ghosh's Ek Second... Jo Zindagi Badal De?. She also acted in her native Nepali-language film Dharmaa after a gap of 22 years since her first film.[34]
In 2011 Koirala appeared in Mappillai, her first Tamil movie in 5 years. A remake of the 1989 film of the same name, the film saw her reprising the role originally played by the late Srividya, her performance earned her a nomination in the Filmfare Award for Best Supporting Actress – Tamil. She was next seen in director Onir's critically acclaimed anthology film I Am, sharing the screen with Juhi Chawla; noted film critic Taran Adarsh commented, "It's a delight to watch Juhi and Manisha, after a hiatus. Both deliver striking performances – even getting the language right."[35][36][37] Her forthcoming releases include Deepti Naval's directorial debut titled, Do Paise Ki Dhoop, Char Aane Ki Barish and Rohit Kaushik's Badalte Chehere.
In recent development she is re-teamed with director Ram Gopal Verma for his 3D horror film Bhoot Returns which is a sequel to 2003 hit Bhoot.[38] The movie as called Bhoot Returns was released on 12 October 2012 and was a critical and commercial failure.

Personal life

On 19 June 2010, Koirala married Samrat Dahal in a traditional ceremony held in Kathmandu.[39] The couple spent their honeymoon in Finland.[40] They met through the online social networking website, Facebook. The couple divorced in 2012. She was reportedly engaged in 2001 to Crispin Conroy, the former Australian ambassador to Nepal, but they broke up later. There were also reports of her dating American speaker and author, Christopher Dorris, but that relationship also ended.[39]
On 29 November 2012, media news reported that Koirala has been diagnosed with cancer.[41] She was admitted to Jaslok Hospital in Mumbai.[42] As per the latest new report she has been diagnosed with Ovarian Cancer [43] Manisha Koirala has flown to the US for her treatment, however the ailment has not been disclosed yet.[44] On 10 December, she underwent a surgery. A day after, it was confirmed that her surgery was successful.[45][46]
A portrait of Koirala by Atula Siriwardane

Social work

In September 1999, Koirala was appointed as a UNFPA Goodwill Ambassador.[10] She is actively involved in social work, specifically working with organisations to promote women's rights, prevention of violence against women, and also to prevent the human trafficking of Nepali girls for prostitution.[10]

Awards and honours

Won
  • 1994, Smita Patil Memorial Award[47]
  • 1996, Filmfare Award for Best Actress – Tamil, Bombay
  • 1996, Filmfare Critics Award for Best Performance, Bombay
  • 1997, Filmfare Critics Award for Best Performance, Khamoshi: The Musical
  • 1997, Star Screen Award Best Actress, Khamoshi: The Musical
  • 2001, Gorkha Dakshina Bahu Honoured by the King of Nepal for achievement in the Indian Film Industry[48][49]
  • 2003, Filmfare Critics Award for Best Actress, Company
  • 2004, Bengal Film Journalists' Association Awards, Best Actress, Escape From Taliban
Nominated

Filmography

Year Film Role Notes
1989 Pheri Bhetaula
Nepali film
1991 Saudagar Radha
First Love Letter Radha
1992 Yalgaar Meghna Kumar
1993 Insaaniyat Ke Devta Nisha
Anmol Anmol
Dhanwan Imli
1994 Yun Hi Kabhi Pooja
1942: A Love Story Rajeshwari "Rajjo" Pathak Nominated—Filmfare Best Actress Award
Sangdil Sanam Sanam
Criminal Sweta Kumar Hindi/Telugu Bilingual film
1995 Bombay Shaila Bano Tamil film
Filmfare Critics Award for Best Actress
Filmfare Best Tamil Actress Award
Anokha Andaz Reema
Milan Priya
Guddu Salina Gupta
Ram Shastra Anjali Sinha
Akele Hum Akele Tum Kiran Kumar Nominated—Filmfare Best Actress Award
1996 Dushmani Sapna Oberoi
Agni Sakshi Shubhangi/Madhu
Majhdhaar Radha Rai
Khamoshi: The Musical Annie Filmfare Critics Award for Best Actress
Nominated—Filmfare Best Actress Award
Indian Ishwarya Tamil film – retitled Hindustani in Hindi
1997 Sanam Sanam
Loha Special appearance
Gupt: The Hidden Truth Sheetal Choudhry
Dil Ke Jharokhe Mein Suman
1998 Yugpurush: A Man Who Comes Just Once in a Way Sunita
Salaakhen Special appearance
Achanak Pooja
Dil Se.. Meghna Nominated—Filmfare Best Actress Award
Maharaja Shaili Mathur
1999 Kachche Dhaage Rukhsana
Lal Baadshah Kiran (Life Insurance Agent)
Laawaris Anshu Mehra
Jaihind Sheetal
Mudhalvan Thenmozhi Tamil film
Kartoos Mini
Mann Priya Verma
Hindustan Ki Kasam Roshanaara
2000 Champion Sapna Khanna
Khauff Neha
Baaghi Rani
Raja Ko Rani Se Pyar Ho Gaya Manisha/Sapna Khanna
2001 Grahan Paro, Parvati Shastri
Chhupa Rustam: A Musical Thriller Nisha
Lajja Vaidehi
Aalavandhan Sharmilee Tamil film
Moksha Ritika Sanyal
2002 Company Saroja Filmfare Critics Award for Best Actress
Jaani Dushman: Ek Anokhi Kahani Vasundhara/Divya (Nagin – The Female Serpant)
Ek Chotisi Love Story The Woman
Baba Chamundeeswari Tamil film
2003 Escape From Taliban Sushmita Bannerjee/Sayed Kamal
Calcutta Mail Sanjana
Market Muskaan Bano/Kaalia
2004 Paisa Vasool Maria Also producer
Tum - A Dangerous Obsession Kamini
2005 Chaahat - Ek Nasha Mallika Arora
Mumbai Express Ahalya Tamil film
Mumbai Xpress Ahalya
Taj Mahal: An Eternal Love Story Jahan Ara
Anjaane – The Unknown Shivani Malhotra
2006 Darwaza Bandh Rakho Julie
2007 Anwar Anita
2008 Tulsi: Mathrudevobhava Tulsi
Nagaram Special appearance Telugu film
Sirf....Life Looks Greener on the Other Side Devika
Mehbooba Varsha
Khela Sheela Bengali film
2009 Do Paise Ki Dhoop, Chaar Aane Ki Baarish Juhi
2010 Ek Second... Jo Zindagi Badal De? Rashi
Dharmaa
Nepali film
Elektra Diana Malayalam film
2011 Mappillai Rajeshwari Tamil film
Nominated—Filmfare Award for Best Supporting Actress – Tamil
I Am Rubina
2012 Bhoot Returns Namrata Awasthi
2013 Edavapathi: No Man's Land
Malayalam film
Filming

2014 Market 2
Hindi film
Announced

Mamta Kulkarni

http://www.bingifm.com/bollywood/data/media/983/Mamta_Kulkarni-05.jpg 
Nick Name:  Rani
Date of Birth (Birthday):  20 April, 1972
Zodiac Sign:  Tarus
Height:  5'5"
Hair Color:  Black
Birth Place:  Mumbai, Maharashtra
Education:  Graduate of Delhi University
Languages:  Hindi, English
Contact Address:  D Wing, 701, R.C. Complex, Opp. Panchavati, Versova Yari Road, Mumbai 400 061

Mamta Kulkarni born 20 April 1972[2] is a former Bollywood Actress. During the 90s, she was part of several commercial successes such as Aashiq Awara (1993), Krantiveer (1994), Karan Arjun (1995), Sabse Bada Khiladi (1995) among others.

http://t2.gstatic.com/images?q=tbn:ANd9GcTUrFaZecrIXlQtw3c5Q_alNLUHOPdVKJnBCc1Hcd29PW49BuN_ 

Acting career

Kulkarni made her debut through the Tamil film Nanbargal which was directed by Shoba Chandrasekar. She made her Bollywood debut with the 1992 movie Tirangaa. In 1993 she starred in Aashiq Awara, which won her a Filmfare Lux New Face Award. She went to appear in many other popular films such as Waqt Hamara Hai (1993), Krantiveer (1994), Karan Arjun (1995), Sabse Bada Khiladi (1995), Ghatak: Lethal (1996), Beqabu, Baazi, Gangstar, Chupa Rustam, Qila, Andolan, which did well at the box office.
Things seemed to change when Rajkumar Santoshi, in whose earlier movie Ghatak: Lethal (1996), she had a cameo appearance, cast her as the female lead in his 1998 movie China Gate, an ambitious remake of Seven Samurai. In a glamorized role and sharing screen space with some of Hindi cinemas finest actors, she had the perfect opportunity to showcase her acting talent.
However, things did not go as planned. Relations between Santoshi and the actress soured, and rumours began circulating that Kulkarni was dropped from the movie, and reinstated only after gangster Chhota Rajan intervened on her behalf.[3] When the movie was finally released, it was also a huge flop. Furthermore, the only song in the movie, the item number Chamma Chamma, was picturised on Urmila Matondkar, even though Kulkarni had built her reputation with such numbers. To add insult to injury, the song turned out to be a chartbuster, and was even used in Baz Luhrmann's Moulin Rouge!, and greatly increased Urmila's popularity.
Angered at the turn of events, Kulkarni lashed out at Santoshi, accusing him of cutting her screen time because she had refused his advances.[4] Santoshi denied all rumours related to the movie, and the matter was given a quiet burial. However, this proved to be the death blow to Kulkarni's career. She only appeared in a handful of movies after that, and new offers dried up. She quit movies after her last appearance in the 2002 film Kabhie Tum Kabhie Hum. Mamta also did few movies in Kannada, Tamil, Telugu, Bengali and Malayalam.[5]
During her career she was offered many other films with Mithun Chakraborty, Ajay Devgan, Bobby Deol, Shahrukh Khan, Sanjay Dutt, Akshay Khanna. She turned down many big films such as Sapoot, Agnaary, Mr and Mrs Khiladi, Bandahan, Aunty No.1, Dulhe Raja, Davaa, Shikari and Hogi Pyar Ki Jeet because her role was not substantial.[6]

Controversies

She gained fame after posing topless for a photograph that appeared on the cover of Stardust, a popular Indian film magazine in September 1993.[7] She was charged under many India's obscenity laws, and found herself under attack from both conservative religious groups, and women's groups. The outspoken actress lashed out at protesters, calling them hypocrites.[citation needed]
Kulkarni was finally convicted in July 2000, and fined Rs. 15,000. However, this caused yet another controversy because she appeared in court in a burqa to evade photographers, which led to death threats and protests from the local Islamic community.[8] However, she was held innocent by the Bombay High Court in January 2004.[7]
At the same time, she continued to be dogged by controversy. In 1997, she was reportedly paid a large amount to perform at a private function by a legislator from Bihar, who was later arrested after investigations into the Fodder Scam case. Kulkarni was interrogated, but she denied any knowledge of the legislator's antecedents.[9]

Filmography

Year Title Role Other notes
2002 Divine Temple Khajuraho Rageshwari
2001 Chhupa Rustam: A Musical Thriller Sandhya
2001 Censor Nisha (Censor Board Member)
1998 Qila Neeta
1998 Jaane Jigar Meenu
1998 China Gate Sandhya Rajan
1997 Krantikari

1997 Jeevan Yudh Kajal Choudhry
1997 Naseeb Pooja
1996 Ghatak: Lethal Dancer in song Koi jaye to le aaye
1996 Beqabu Reshmi Kapoor
1996 Raja Aur Rangeeli

1995 Sabse Bada Khiladi Sunita Das
1995 Baazi Sanjana Roy, Journalist
1995 Ahankaar Naina
1995 Andolan Guddi
1995 Karan Arjun Bindiya
1995 Kismat

1995 Policewala Gunda

1994 Vaade Iraade Nikita Sekhri
1994 Dilbar Priya Verma
1994 Gangster

1994 Betaaj Badshah Tejeshwani/Guddiya
1994 Anokha Premyudh Priti
1994 Krantiveer Mamta
1993 Waqt Hamara Hai Mamta Vidrohi
1993 Bhookamp

1993 Aashiq Awara Jyoti Filmfare Lux Award of the year
1993 Ashaant Sonali
1992 Mera Dil Tere Liye Priya R Singh
1992 Tirangaa Sandhya

Bengali

  • Bangali bc (Ronit Roy and Mamta) (2001) (2002)

Kannada

Vishnu Vijaya 1993

Malayalam

  • Chandamama (1999) - Guest appearance in the song "Roja Poo Kavilatthu"

Tamil

Telugu

  • Donga Police (1992)
  • Premasikharam (1992)
  • Bramha (1997)