Monday, 5 August 2013

Zeenat Aman


Zeenat Aman (Hindi: ज़ीनत अमान, Urdu: زینت امان‎) (born 19 November 1951) is an Indian actress who has appeared in Hindi films, notably in the 1970s and 1980s. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970. Upon making her debut in Bollywood, Aman, along with Parveen Babi was credited with making a lasting impact on the image of its leading actresses by bringing the western heroine look to Hindi cinema, and throughout her career has been considered a sex symbol.[1][2][3]
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Early life

Zeenat Aman was born in Mumbai (erstwhile Bombay) on 19 Nov 1951 to a Muslim father, Amanullah Khan and a Hindu mother, Scinda.[4] Her father was a script writer who was one of the writers for such movies as Mughal-e-Azam and Pakeezah. He died when Zeenat was 13. Her mother got re-married to a German, Heinz (was constantly referred to as Mrs. Heinz in all subsequent articles film magazines would carry on Zeenat). Zeenat's mother obtained German citizenship, and took her to Germany, where Zeenat was very unhappy, returning to India as soon as she turned 18.
Aman graduated from St. Xavier's College, Mumbai and went to University of Southern California in Los Angeles, California for further studies on student aid. Upon returning to India, she first took a job as a journalist for Femina and then later on moved on to modeling. One of the first few brands that she modeled for was Taj Mahal Tea and Television X Debut in 1966 exclusively. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970.

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Film career

The beginning

After having studied in Los Angeles, winning the Miss Asia Pageant and a successful modeling career, Aman's film career began with a small role in O. P. Ralhan's Hulchul in 1971. A second role in Hungama (1971), starring singer Kishore Kumar, both films were not successful and she was ready to pack her bags to leave India and go back to Germany with her mother.
Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of his sister in Hare Rama Hare Krishna (1971). Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz), and she opted out. Aman was chosen as a last-minute replacement.[2]
In Hare Rama Hare Krishna, Aman, aided by R. D. Burman's song "Dum Maro Dum" (Take Another Toke), won over the heart's of audience as Janice. She earned a Filmfare Best Supporting Actress Award[5] and BFJA Award for Best Actress.[6] Throughout the 1970s, the Dev-Zeenat pairing was seen in half a dozen films: Heera Panna (1973), Ishq Ishq Ishq (1974), Prem Shastra (1974), Warrant (1975), Darling Darling (1977) and Kalabaaz (1977). Of these, Warrant, was the biggest box-office success.
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Her hip looks in Yaadon Ki Baaraat (1973) as the girl carrying a guitar, singing "churaliya hai tumne jo dil ko" (in Asha Bhonsle's voice) has won her more popularity and the hearts of millions of fans.[2]
She appeared on every Hindi film magazine's cover during 1970s. In December 1974, Cine Blitz magazine was launched with Zeenat Aman on its cover, a testimony to her popularity at the time. However, she went on as the favourite cover girl of the popular magazine 'Stardust'.

The 1970s

Zeenat Aman, in her career and her success with Navketan Films and Dev Anand, found success with other banners such as B.R. Chopra, Raj Kapoor, Manmohan Desai, Feroz Khan, Nasir Hussain, Manoj Kumar, Prakash Mehra, Raj Khosla and Shakti Samanta.
In 1978, she starred in Raj Kapoor's massively publicised Satyam Shivam Sundaram (1978), however, the film was heavely criticized. The subject ironically dealt with the notion of the soul being more attractive than the body, but Kapoor chose to showcase Aman's sex-appeal. The actress was highly criticized for her exposure but somehow, later on the film had a great deal to do with Zeenat's fame and the movie itself was distinguished as a work of art. She also earned a Filmfare nomination as Best Actress for this film.[2]
Zeenat Aman's entry into Hollywood also backfired when Krishna Shah's Shalimar (1978), co-starring Dharmendra and international names like Rex Harrison and Sylvia Miles, proved to be a failure in the USA and in India.[2] Zeenat possessed a convent schoolgirl accent and a penchant for revealing dresses. She matched Gina Lollobrigida in the battle of oomph at Shalimar's launch. 1978 could have been a disaster year for her, because of the diminishing box office returns of "Shalimar" and discouraging critics riviews of Satyam Shivam Sundaram, but Zeenat had other successful commercial films during that year such as "Heeralal Pannalal" and Chor Ke Ghar Chor , yet it was Don that came to the rescue with its huge success. Ironically, her reasons for accepting the role in Don were altruistic, and she didn't even take any remuneration for it, because she wanted to help the producer, Nariman Irani, who died midway filming.[7] Her role of a Westernized revenge-seeking action heroine contributed to the film's huge success, and her fans reconnected with her again. Westernised heroines like Parveen Babi and Tina Munim now followed in her footsteps, by the late 1970s. Aman continued to act in hits like Dharam Veer, Chhaila Babu and The Great Gambler.
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The 1980s

By the beginning of the 1980s multi-starrers films became a trend, and Zeenat Aman was increasingly asked to just provide sex appeal in hero-oriented, despite success in so many films. In contrast to this trend was her performance as a rape victim seeking justice in B. R. Chopra's Insaaf Ka Tarazu (1980) for which she received a Filmfare Best Actress nomination. This film was followed by success in the love triangle Qurbani, Ali Baba aur 40 Chor, Dostana (1980) and Lawaaris (1981).[2]
Zeenat's popularity in Russia was so great after Alibaba Aur 40 Chor that she felt pressured into doing a supporting role in Sohni Mahiwal. The film was moderately successful but no credit went to Zeenat.[citation needed]
Her last role as the female lead was in the movie Gawahi, a court room drama, in 1989.
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The 1990s and 2000s

Zeenat came back to the silver screen after a decade doing a cameo role in the film Bhopal Express (1999).

The 2000s

Zeenat went on to do roles in Boom (2003), Jaana... Let's Fall in Love (2006), Chaurahen (2007), Ugly Aur Pagli (2008), Geeta in Paradise (2009),Dunno Y... Na Jaane Kyon (2010) and "Strings of Passion" (2012).
In 2004, she appeared as Mrs. Robinson in the play The Graduate staged at St Andrew's auditorium in Mumbai.
Aman had a TV show called In Conversation with Zeenat made by B4U TV, and also made an appearance along with Hema Malini in the popular show Koffee with Karan hosted by Karan Johar.
Aman received a Lifetime Achievement Award during the Zee Cine Awards function in 2008, as a recognition of her contribution to Hindi Cinema.
She also received An Outstanding Contribution to Indian Cinema award at IIFA awards 2010 held at Colombo, Sri Lanka. She dedicated this award to her mother.

Image

Aman's sultry persona was a contrast to many of the more conservative stars of the era.[2] At a time when heroines were obedient wives and lovers on the screens of Hindi Cinema, Aman was drawn to more unconventional roles—she was cast as the opportunist who deserts her jobless lover for a millionaire (Roti Kapda Aur Makaan), the ambitious girl who considers having an abortion in order to pursue a career (Ajnabee), the happy hooker (Manoranjan), the disenchanted hippie (Hare Rama Hare Krishna), the girl who falls in love with her mother's one-time lover (Prem Shastra), and a woman married to a caustic cripple but involved in an extramarital relationship (Dhund). She managed to balance these roles with acting in more conventional films such as Chori Mera Kaam, Chhaila Babu, Dostana and Lawaaris, which is considered by many to be a landmark in Indian Cinema. Encyclopædia Britannica's "Encyclopedia of Hindi Cinema" wrote, "Zeenat Aman had a definite impact on the characterization of the heroine in Hindi films. With films such as Hare Rama Hare Krishna and Yaadon Ki Baraat, she fashioned the image of the youthful and westernized woman in Hindi cinema."[1]
Aman's persona was such that newcomers were, and still are compared to her. Parveen Babi was called "The poor man's Zeenat Aman", Sarika was christened "Zeenat Aman 2" and Padmini Kolhapure was named "Baby Zeenat".

Personal life

In 1985, she got married to Mazhar Khan and had two sons Azaan and Zahaan. Her husband Mazhar used to beat her up often which ultimately led to their filing for divorce.[8] Mazhar Khan died in September 1998 (renal failure).
Today, Aman lives with her two sons and makes many social appearances and film awards functions, she is rarely seen on screen. Azaan is more keen in going behind the camera while Zahaan is interested in acting.[9]
As of February 2013, Aman is reportedly planning to marry a 36 year old businessman from Mumbai, Shiva Sena member, Sarfaraz Ahmed.[10] But then again she has refuted the news of her getting married while at the same time acknowledging that she is in love.[11]

Awards and recognitions

  • 1972 - Filmfare Best Supporting Actress Award for Hare Rama Hare Krishna
  • 1972 - BFJA Awards, Best Actress for Hare Rama Hare Krishna
  • 1978 - Filmfare Nomination as Best Actress for Satyam Shivam Sundaram
  • 1980 - Filmfare Nomination as Best Actress for Insaaf Ka Tarazu
  • 2003 - Bollywood Awards 'Award for Lifetime Achievement'- Lifetime of Glamour.[12]
  • 2006 - "Outstanding Contribution to the Motion Picture Industry of India Awards" at the eighth annual Bollywood Movie Awards.[13][14]
  • 2008 - Zee Cine Award for Lifetime Achievement
  • 2010 - "Outstanding Contribution to Indian cinema" at the 11th IIFA awards

Zeenat Aman filmography

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Complete filmography of Indian Bollywood actress Zeenat Aman.
Year Film Role Notes
1970 The Evil Within
1971 Hungama
Hulchul Neena
Hare Rama Hare Krishna Jasbir Jaiswal/Janice Winner, Filmfare Best Supporting Actress Award
1973 Yaadon Ki Baaraat Sunita
Heera Panna Panna
Dhund Rani Ranjit Singh
1974 Roti Kapada Aur Makaan Sheetal
Prem Shastra Barkha/Suman
Ishq Ishq Ishq Pooja Pahar
Manoranjan Nisha
Ajanabee Reshmi Kumar Saxena
1975 Warrant Rita Verma
Chori Mera Kaam Sharmili
1976 Deewangee Kanchan
Balika Badhu Adult Rajni (uncredited) (voice)
1977 Paapi Rano/Vanita Kapoor/Rani
Kalabaaz Lisa/Radha G. Sapru/Tina
Dharam Veer Rajkumari Pallavi
Darling Darling
Chhaila Babu Rita
Aashiq Hoon Baharon Ka Veera Rai
Hum Kisise Kum Naheen Sunita Kewalchand
1978 Shalimar Sheila Enders
Heeralal Pannalal Ruby
Chor Ke Ghar Chor
Satyam Shivam Sundaram Rupa
Don Roma
1979 The Great Gambler Shabnam
1980 Takkar Sapna
Ram Balram Madhu
Bombay 405 Miles Radha
Abdullah Zainab
Alibaba Aur 40 Chor Fatima
Qurbani Sheela
Dostana Sheetal Sahni
Insaaf Ka Tarazu Bharti Saxena
1981 Professor Pyarelal Sonia B. Singh/Asha Rai
Katilon Ke Kaatil Jamila Banu
Krodhi Neera Kumar Sahni
Laawaris Mohini
1982 Samraat Suman/Sandhya Chawla/Gurbachan Singh
Pyaas
Jaanwar Rajkumari
Daulat Geeta
Ashanti Sonia
Gopichand Jasoos Bela/Lacho/Shano Rani
Vakil Babu Kalpana Choudhry/Kalpana Kumar
Teesri Aankh Barkha
1983 Taqdeer Nisha
Pukar Julie
Hum Se Hai Zamana Nisha Thakur
Mahaan Rita
Bandhan Kuchchey Dhaagon Ka Sneh
1984 Yeh Desh Sumati
Sohni Mahiwal Zarina
Pakhandi
Jagir Seema
Meri Adalat
1985 Yaar Kasam
Bhawani Junction Reshma
Ameer Aadmi Gharib Aadmi Kavita
Yaadon Ki Kasam Chandni/Geeta Khanna
1986 Haathon Ki Lakeeren Geeta Mohan
Baat Ban Jaye Nisha Singh
Aurat
1987 Daku Hasina Daku Hasina
1988 Namumkin
1989 Tujhe Nahin
Chhodunga
Gawahi
1999 Bhopal Express Zohrabai
2003 Boom Alice Rodriguez De Fonseca
2006 Jaana:
Let's Fall in Love
Raju's mother
2007 Sirf Romance: Love by Chance Durga Putri
2008 Ugly Aur Pagli Special Appearance
2010 Dunno Y... Na Jaane Kyon Rebecca

Yukta Mookhey

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Yukta Mookhey (born 7 October 1977)[citation needed] is an Indian model and actress. She was crowned Miss World in December 1999 at the Olympia theatre in London at the age of 22. She was crowned by her predecessor, Miss World 1998 Linor Abargil, at the Olympia Hall, London. After finishing her reign as Miss World, she handed over her crown to compatriot Miss World 2000 Priyanka Chopra.
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Mookhey's family is from northern India, but she and her family lived in the Middle East until Mookhey was seven years of age. The Mookhey family migrated back to Mumbai in June 1986. runs a personal and professional grooming consulting firm in Mumbai, while her father was a clothing company director and currently trades in stocks as a hobby. Mookhey studied zoology at V.G. Vaze college prior to winning the Miss World competition. Mookhey has a diploma in computer sciences and has studied Hindustani classical music.[2] Mookhey is an active member of the Bharatiya Janata Party (BJP) and engages herself in social and charitable causes.
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Yukta and Prince Tulli were engaged on September 7, 2008 at the Grand Maratha in Mumbai.[3] Prince is the son of Bacchitar Singh Tuli and Harinder Kaur Tuli. The marriage, held on November 2, 2008, was a traditional Sikh ceremony in a Nagpur Gurudwara followed by a reception the same evening. They have one son together.[4][dead link]
In July, 2013, Mookhey lodged a domestic violence complaint against her husband. Police issued a statement; "In her complaint, Ms Mookhey alleged she had often been beaten up and troubled by her husband Prince Tuli. A First Information Report (FIR) has been registered under Section 498A (cruelty and harassment) and Section 377 (unnatural sex) of Indian Penal Code after her complaint."[5]
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Miss World

The 49th Miss World pageant was held on 4 December 1999 at London's Olympia Hall. The pageant was hosted by Ulrika Jonsson and model Melanie Sykes. The 1999 pageant attracted 94 delegates from all over the world. The 1999 pageant also marked the first time that Scotland and Wales fielded their respective delegates.
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Filmography

Title Year Role Other notes Review
Memsahab - Lost In A Mirage[6] 2008 Anjali released on June 20 [7]
Kab Kahaba Tu I Love You[8] 2007 Item Number Bhojpuri Movie N/A
Katputtli[9] 2006 Anju released on August 18 [10]
Love In Japan[11] 2006 Friendly Appearance released on February 10 [12]
Pyaasa[13] 2002 Sheetal Hindi Movie, released on October 11 N/A
Poovellam Un Vasam[14] 2001 Guest appearance Tamil Movie, released on August 24 [15]

Waheeda Rehman

Waheeda Rehman is an Indian film actress who appears in Bollywood movies and is known for many successful and critically acclaimed movies from the 1950s, 60s and early 70s most notably C.I.D. (1956) and 5 Guru Dutt classics - Pyaasa (1957), 12 O'Clock (1958), Kaagaz Ke Phool (1959), Sahib Bibi Aur Ghulam, Chaudhvin Ka Chand (1961). Her other notable works include Solva Saal (1958), Baat Ek Raat Ki (1962), Kohra (1964), Bees Sal Baad (1962), Guide (1965), Teesri Kasam, Mujhe Jeene Do (1966), Neel Kamal and Khamoshi (1969).
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Early life

One of the most prominent actresses of the golden era, Waheeda Rehman was born into a Muslim family in Melapalayam, Thirunelveli district, Tamil Nadu, British India.[1] She and her sister learnt Bharatnatyam in Chennai, where Guru Trichunder Meenakshi Sundaram Pillai and in Bombay Guru Jayalaxmi Alva, doyen among nattuvanars taught[2] and performed on stage together. Her father, who was a district commissioner, died while she was in her teens.[3][4]
It is a common misconception that Rehman was born in Hyderabad.[1] “It’s a long story,” she says, “When I was in Chennai, I did two Tamil and four Telugu movies. In the first one, Kaalam Maari Pochu along with Gemini Ganesan a bilingual film which was made in Tamil and Telugu as Rojulu Maraayi, I did only a folk dance number in both Tamil and Telugu versions. However, it went on to become a hit! I was in Hyderabad celebrating its success and Guru Dutt happened to be there. He was on a lookout for new faces and heard that I could speak in Urdu. It is because he spotted me in Hyderabad that people assume I was born there.”[1]
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Her dream was to become a doctor but, due to circumstances and illness, she abandoned this goal. Instead helped by her supportive parents, she hit the silver screen with Telugu films Jayasimha (1955), followed by Rojulu Marayi (1955) and Tamil film Kaalam Maari Pochu (1956). It is in Vijaya-Suresh's Ram aur Shyam (a remake of Telugu movie Ramudu Bheemudu) in 1967 that Waheeda acted again under the direction of the topnotch Telugu director Tapi Chanakya who incidentally directed her movies Rojulu Maaraayi in Telugu (1955) and Kaalam Maaripochu in Tamil (1956).

Career

 
Waheeda Rehman in Pyaasa
Waheeda Rehman, started her career in films in 1954 and her first successful films were the Telugu films Jayasimha (1955), Rojulu Marayi (1956) and Tamil film Kaalam Maari Pochu (1955).
In the success party of Rojulu Maaraayi, Guru Dutt noticed her and decided to groom her and have her act in Hindi films. Waheeda considered Guru Dutt as her mentor. Dutt brought her to Bombay (now Mumbai) and cast as a vamp in his production C.I.D. (1956), directed by Raj Khosla. A few years after joining the Hindi film industry, she lost her mother. After the success of C.I.D., Dutt gave her a leading role in Pyaasa (1957). Their next venture together, Kaagaz Ke Phool (1959), depicted the story of a successful director's decline after he falls for his leading lady. Dutt's existing marriage and her film successes with other directors caused them to drift apart personally and professionally, although they continued to work together into the 1960s (Chaudhvin Ka Chand). She completed Sahib Bibi Aur Ghulam (1962) under some strain. They broke away from each other after its indifferent reception at the Berlin Film Festival in 1963. Soon afterward, Guru Dutt died on 10 October 1964 in Mumbai reportedly from an overdose of sleeping pills and alcohol.
Waheeda Rehman established a great working relationship with Dev Anand, and together as a pair had number of successful films to their credit. The box office hits of the pair include C.I.D. (1956), Solva Saal (1958), Kala Bazar (1960), Baat Ek Raat Ki (1962) and Guide (1965); box office duds were Roop Ki Rani Choron Ka Raja (1961) and Prem Pujari (1970). She reached her peak with Guide (1965) and was much in demand. Rehman was cast as "Gulabi" in Satyajit Ray's Bengali film Abhijan in 1962. She worked in comedy film Girl Friend in 1960 with Kishore Kumar. She was offered lead actress's role in films even opposite actors junior to her by experience like Dharmendra, but they flopped. But she continued to taste success in the late sixties when she was paired with well established stars. She delivered hits opposite Dilip Kumarin three successive years; " Dil diyaa Dard liyaa" in 1966, Ram Aur Shyam in 1967 and Aadmi in 1968 and some box office duds but critically acclaimed films with Rajendra Kumar - Palki, Dharti and Shatranj ; two films opposite Raj Kapoor - " Ek dil sau Afsane" and the acclaimed "Teesri Kasam" which was the debut film of Basu Bhattacharyya; a few films opposite Biswajeet like, "Bees saal baad" and "Kohra"; this helped her continue to get lead roles in the early seventies. Her career's biggest hit Khamoshi came in 1970, opposite Rajesh Khanna.
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Her career continued throughout the 1960s, 1970s, and 1980s. She won the Filmfare Best Actress Award for her roles in Guide (1965), where she hit the peak of her career, and Neel Kamal (1968), but despite excellent offbeat roles in subsequent films, including a National Award winning performance in Reshma Aur Shera (1971), some of the films failed at the box office. Seeing her films being successful, Waheeda decided to experiment with roles at this stage of career. She accepted Reshma Aur Shera, opposite her old co-star Sunil Dutt, with whom she had previously in the sixties had hits like Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan. Her performance was appreciated by critics, but the film failed at the box office. But Waheeda continued to experiment with roles and accepted the offer to play a mother to Jaya Bhaduri in Phagun(1973). This she regards the mistake of her career as after this film flopped suddenly people started offering her motherly roles to heroes.
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From the mid seventies, Waheeda's career as lead heroine ended and her career as character actor began. At around this time, Kamaljit, who starred opposite her in Shagun (1964), proposed and they got married in 1974. After her appearance in Lamhe (1991), she retired from the film industry for 12 years.
In her new innings from seventies her successful films, where she played pivotal roles include, Kabhi Kabhie (1976),Trishul (1978), Jwalamukhi(1980), Namkeen and Namak Halaal (1982),Mashaal (1984), Chandni(1989), Rang De Basanti(2006). She played the central character in a Mahesh Bhatt directed tele-film "Swayam" that starred Akash Khurana and Anupam Kher. She also appeared in a tele-series being directed by Gulzar.
In recent years she made a comeback playing elderly mother and grandmother roles in Om Jai Jagadish (2002), Water (2005) and Rang De Basanti (2006), 15, Park Avenue and Delhi 6 (2009) which were all critically acclaimed.
In October 2004, a Waheeda Rehman film retrospective was held at the Seattle Art Museum and the University of Washington where Waheeda participated in spirited panel and audience discussions on her most memorable films—Pyaasa, Teesri Kasam and Guide—although her most successful film is still considered to be Khamoshi, with costar Rajesh Khanna.

Personal life

After her marriage with Shashi Rekhi (screen name Kamaljeet)[5] on 27 April 1974, she shifted to a farmhouse in Bangalore. She bore two children named Sohail and Kashvi, who are
 
(L-R) Nanda, Waheeda Rehman, Helen and Sadhana
writers. On 21 November 2000, her husband died following a prolonged illness. She moved back to her ocean view bungalow in Bandra, Mumbai where she currently lives.

Awards

  • National Film Award for Best Actress for Reshma Aur Shera in 1971.
  • Filmfare Best Actress Award for Guide in 1966[6]
  • Filmfare Best Actress Award for Neel Kamal in 1968[7]
  • Bengal Film Journalists' Association Awards, Best Actress (Hindi) for Teesri Kasam in 1967.[8]
  • Filmfare Lifetime Achievement Award in 1994[9]
  • NTR National Award for 2006.
  • Padma Shri in 1972.
  • Padma Bhushan in 2011.[10]
  • Mumbai film festival Lifetime Achievement Award in 2012.[11]
  • http://www.bollywood-updates.net/wp-content/uploads/2012/01/waheeda-rehman-photos.jpg

Nominations

  • Filmfare Award for Best Supporting Actress — Sahib Bibi Aur Ghulam (1962)[12]
  • Filmfare Award for Best Actress — Ram Aur Shyam (1967)[13]
  • Filmfare Award for Best Actress — Khamoshi (1970)[14]
  • Filmfare Award for Best Supporting Actress — Kabhi Kabhie (1976)[15]
  • Filmfare Award for Best Supporting Actress — Namkeen (1982)[16]
  • Filmfare Award for Best Supporting Actress — Lamhe (1991)[17]

Filmography

[hide]Year Title Role Language
1955 Kaalam maari pochu Debut. Guest Appearance in the song
"Yeru thooki povayae annae chinnanae"
Tamil
1955 Alibabavum 40 Thirudargalum Dancer Tamil
1955 Jayasimha Princess Telugu
1956 Rojulu Marayi Telugu
1956 C.I.D. Kamini Hindi
1957 Pyaasa Gulabo Hindi
1958 12 O'Clock Bani Choudhary Hindi
1958 Solva Saal Laaj Hindi
1959 Kaagaz Ke Phool Shanti Hindi
1960 Kala Bazar Alka Hindi
1960 Ek Phool Char Kaante Sushma Hindi
1960 Chaudhvin Ka Chand Jameela Hindi
1960 Girl Friend Hindi
1961 Roop Ki Rani Choron Ka Raja Hindi
1962 Sahib Bibi Aur Ghulam Jaba Hindi
1962 Bees Saal Baad Radha Hindi
1962 Baat Ek Raat Ki Neela/Meena Hindi
1962 Rakhi Hindi
1962 Abhijan Gulabi Bengali
1963 Mujhe Jeene Do Chameli Jaan Hindi
1963 Kaun Apna Kaun Paraya Asha Hindi
1963 Ek Dil Sau Afsane Sunita Hindi
1964 Kohra Rajashwari Hindi
1964 Shagoon Hindi
1964 Majboor Sushila Mehta Hindi
1965 Guide Rosie Marco/Miss Nalini Hindi
1966 Teesri Kasam Hira Bai Hindi
1966 Dil Diya Dard Liya Roopa Hindi
1967 Patthar Ke Sanam Taruna Hindi
1967 Ram Aur Shyam Anjana Hindi
1967 Palki Mehroo Hindi
1967 Ghar Ka Chirag Hindi
1968 Neel Kamal Rajkumari Neel Kamal/Sita Hindi
1968 Aadmi Meena Hindi
1968 Baazi Hindi
1969 Khamoshi Nurse Radha Hindi
1969 Shatranj Meena Thakur Hindi
1969 Meri Bhabhi Maya Hindi
1970 Prem Pujari Suman Mehra Hindi
1970 Man Ki Aankhen Guddi (Geeta) Hindi
1970 Dharti Jwala/Princess Chitralekha Hindi
1970 Darpan Madhvi Hindi
1971 Man Mandir Krishna and Radha Hindi
1971 Reshma Aur Shera Reshma Hindi
1972 Zindagi Zindagi Meeta Sharma Hindi
1972 Trisandhya Indu Hindi
1972 Subha-O-Sham Shirin Hindi
1972 Dil Ka Raaja Laxmi Hindi
1973 Phagun Shanta Bangan/Shamrao Dhamle Hindi
1973 Justice Hindi
1974 Bangaru Kalalu Telugu
1976 Aadalat Radha Hindi
1976 Kabhi Kabhie Anjali Malhotra Hindi
1978 Trishul Shanti Hindi
1979 Aaj Ki Dhara Hindi
1980 Jyoti Bane Jwala Malti Hindi
1980 Jwalamukhi Savita Devi Hindi
1982 Sawaal Anju D. Mehta Hindi
1982 Namak Halaal Savitridevi Hindi
1982 Namkeen Jugni (Jyoti) Hindi
1982 Dharam Kanta Radha Singh Hindi
1983 Himmatwala Savitri Hindi
1983 Mahaan Janki Hindi
1983 Coolie Salma Hindi
1983 Pyaasi Aankhen Hindi
1983 Ghungroo Rani Maa Hindi
1984 Sunny Gayatri Inderjeet Hindi
1984 Mashaal Sudha Kumar Hindi
1984 Maqsad Sharda Hindi
1985 Bayen Hath Ka Khel Hindi
1986 Simhasanam Telugu
1986 Singhasan Rajmata Vardhan Hindi
1986 Allah-Rakha Adv.Salma Anwar Hindi
1989 Chandni Mrs. Khanna Hindi
1991 Lamhe Dai Jaan Hindi
1991 Swayam Hindi
1994 Ulfat Ki Nayee Manzilen Hindi
2002 Om Jai Jagadish Saraswati Batra Hindi
2005 Water Bhagavati (Narayan's Mother) Hindi
2005 Maine Gandhi Ko Nahin Mara Principal Khanna Hindi
2005 15 Park Avenue Mrs. Mathur/Mrs. Gupta English/Bengali
2006 Rang De Basanti Ajay's Mother Hindi
2006 Chukkallo Chandrudu Arjun's Grand-Mother Telugu
2009 Delhi 6 Dadi (Annapurna Mehra) Hindi
2013 Love in Bombay Hindi
2013 Vishwaroopam 2 Tamil
2013 Vishwaroop 2 Hindi

Vidya Balan


Vidya Balan (pronounced [ʋɪd̪jaː baːlən]; born 1 January 1978[1]) is an Indian film actress who appears in Hindi and Bengali language films. At age sixteen, Vidya landed her first acting role in the sitcom Hum Paanch (1995). After making several unsuccessful attempts to start a career in film, she acted in television commercials and music videos. In 2003 she made her feature film debut with the independent Bengali drama Bhalo Theko.
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In 2005 Vidya garnered praise for her first Hindi film, the musical drama Parineeta, and followed it with a leading role in the blockbuster comedy film Lage Raho Munna Bhai (2006). Her subsequent portrayal of glamorous characters in the romantic comedies Heyy Babyy (2007) and Kismat Konnection (2008) met with negative comments from film critics. The year 2009, however, marked the beginning of the most successful period in Vidya's career as she portrayed five consecutive roles to wide critical acclaim in the 2009 drama Paa, the 2010 black comedy Ishqiya, the 2011 semi-biographical thriller No One Killed Jessica, the 2011 biopic The Dirty Picture, and the 2012 thriller Kahaani. These roles have earned her the tag of a "female hero" and established her as a leading contemporary actress of Hindi cinema.[2][3][4]
Vidya has received one National Film Award, five Filmfare Awards and five Screen Awards. She initially drew criticism for her fluctuating weight and poor dress sense, but was later credited in the media for retaining her individuality and breaking stereotypes of a Hindi film heroine. Vidya is a social activist and supports the empowerment of women. She is married to film producer Siddharth Roy Kapur.
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Early life and background

Vidya Balan was born on 1 January 1978 in Ottapalam, a town in the Palakkad District of Kerala, to P. R. Balan, currently the Executive Vice-President of Digicable,[5] and Saraswathy Balan, a homemaker.[6][7] According to Vidya, they speak a mix of Tamil and Malayalam at home; she is also well versed in Hindi, Marathi, English and Bengali.[8] Her elder sister, Priya Balan, works in the field of advertising.[6]
Vidya grew up in the suburban neighbourhood of Chembur, Mumbai and was schooled at St. Anthony Girls' High School.[9][10] From a young age she aspired to a career in film and was inspired by the work of actors Shabana Azmi and Madhuri Dixit.[11][12] At the age of sixteen, she starred in the first season of Ekta Kapoor's sitcom Hum Paanch as Radhika, a bespectacled teenager.[13][14] Following the success of the show, Vidya refused director Anurag Basu's offer to star in a television soap opera, as she wanted to concentrate on a film career.[15] Her parents were supportive of her decision but encouraged her to complete her education first,[11] so she attended St. Xavier's College to pursue a bachelor's degree in sociology and later earned a master's degree from the University of Mumbai.[16][17]
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Career

Struggle and debut (2000–03)

While pursuing her master's degree, Vidya was cast as the female lead in the Malayalam film Chakram, opposite Mohanlal and was subsequently signed on for twelve other Malayalam language films.[11] However, due to production difficulties, Chakram was shelved.[18] The postponement of a film starring Mohanlal was an unheard of occurrence in Malayalam cinema and film producers blamed her for bringing "bad luck" to the project; labelled her as a "jinx" and replaced her in all the films that she had been contracted for.[11] She then shifted focus to Tamil cinema. In 2001, she was cast as the female lead in N. Linguswamy's Run (2002). However, after completing the first shooting schedule of the film, she was unceremoniously dropped and replaced by Meera Jasmine.[19] She was signed up under false pretences for a sex comedy, a genre she was then uncomfortable with, and thus decided to leave the project.[11] Thereafter, she signed on for a third Tamil film, Manasellam (2003), but was replaced by Trisha Krishnan as the director was dissatisfied with her work.[20] Kalari Vikraman (2003), a Malayalam film that she completed work for, failed to get a theatrical release.[21]
After failing to start a film career, Vidya appeared in approximately sixty television commercials and in music videos for Euphoria and Shubha Mudgal; a majority of these were directed by Pradeep Sarkar.[15][22] In 2003, she was signed on by Goutam Halder for his independent Bengali drama Bhalo Theko; her first film release.[23] Her portrayal of Anandi, a young woman reminiscing about her past, won her an Anandalok Purashkar for Best Actress.[24]
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Breakthrough (2005–08)

In 2005, Vidya made her Hindi film debut with Pradeep Sarkar's musical drama Parineeta. Before being cast for the film, she had to undergo extensive auditions for a period of 6 months.[18][25] The film, an adaptation of Sarat Chandra Chattopadhyay's novel of the same name, narrated the love story of an idealist Lalita (Vidya) and an egoist Shekhar (Saif Ali Khan), the son of a capitalist businessman.[26] Her performance in the film was praised by critics;[14] Derek Elley from Variety wrote, " An acting revelation is Tamil newcomer Balan, whose devoted but dignified Lalita is the picture's heart and soul."[27] Parineeta fetched her a Best Debut (Female) award and a nomination for Best Actress at the annual Filmfare Awards ceremony.[28]
The following year, Vidya appeared opposite Sanjay Dutt in Rajkumar Hirani's comedy film Lage Raho Munna Bhai. She portrayed the role of Jhanvi, a radio jockey and the love interest of the protagonist Munna Bhai. To prepare for her role, she met with a couple of radio jockeys and watched them at work.[29] Her performance was critically well received,[30] and the film emerged as a blockbuster with gross earnings of INR1,185.7 million (US$20 million).[31]
Vidya Balan is looking directly at the camera. 
Vidya at a promotional event for Bhool Bhulaiyaa, 2007
In 2007, Vidya featured in a supporting role in Mani Ratnam's semi-biographical drama Guru as a woman suffering from multiple sclerosis. The film, which starred Mithun Chakraborty, Abhishek Bachchan, Aishwarya Rai Bachchan, and R. Madhavan in leading roles, performed well at the box office.[32] However, film critics Khalid Mohamed and Raja Sen noted that her "talent was wasted" in a "minuscule role".[33][34] Her next release was Nikhil Advani's Salaam-e-Ishq: A Tribute To Love, a romantic comedy featuring an ensemble cast, in which she was paired opposite John Abraham. The film, which narrated six individual love stories, saw Vidya play the role of a television reporter, Tehzeeb Hussain, suffering from a memory loss condition. The film, which was a critical and commercial failure,[32] generated positive reviews for Vidya. Sukanya Verma of Rediff.com wrote, "Vidya's transformation from a self-assured working woman to a helpless, vulnerable person is superb."[35]
Vidya then took a supporting role in Vidhu Vinod Chopra's suspense thriller Eklavya: The Royal Guard, alongside Amitabh Bachchan, Boman Irani, Sharmila Tagore, Saif Ali Khan, and Sanjay Dutt. The film, which flopped commercially, met with positive critical reviews and was selected as India's official entry to the Oscars for the 80th Academy Awards.[36] She was later cast as Isha Sahni, a single mother, in Sajid Khan's Heyy Babyy, alongside co-stars Akshay Kumar, Ritesh Deshmukh, and Fardeen Khan. The comedy film was a box-office success,[32] but garnered negative reviews from critics, as did Vidya's performance; CNN-IBN's Rajeev Masand criticised her wardrobe and make-up, and considered her the "sore thumb" of the film.[37][38]
Vidya's final film in 2007 was Priyadarshan's psychological thriller Bhool Bhulaiyaa, a remake of the Malayalam film Manichitrathazhu (1993). Vidya featured as Avani Chaturvedi (a character played by Shobana in the Malayalam original), a woman suffering from dissociative identity disorder.[39] Co-starring Shiney Ahuja, Akshay Kumar, and Ameesha Patel, Bhool Bhulaiyaa was a commercial success with a worldwide revenue of over INR830 million (US$14 million).[32] Reviewers, while being generally negative of the film, were appreciative of Vidya's performance. Writing for Hindustan Times, Khalid Mohamed described her as "bankably likeable" and Bollywood Hungama's Taran Adarsh labelled her as "splendid".[40][41] The role earned Vidya a second Filmfare nomination in the Best Actress category.[28]
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In 2008's social film Halla Bol, Vidya played a supporting role alongside Ajay Devgn and Pankaj Kapur. The film was based on the life of activist Safdar Hashmi, who was killed by political rivals while performing on a street play (by the name of Halla Bol) in 1989.[42] The film was a critical failure.[43] Later that year, she co-starred with Shahid Kapoor in Aziz Mirza's romantic comedy Kismat Konnection. A commercial failure,[44] the film and her performance generated a negative response; critic Sonia Chopra commented, "[Balan] is made to look downright drab. The haircut is unflattering, the make-up too plain, the clothes usually in off-white or brown. Plus the character is repetitive and reminds us of the one she played in Lage Raho Munnabhai."[45]

Success and critical acclaim (2009 onwards)

In 2009, Vidya played the role of an unwed gynaecologist struggling with her 12-year-old son's progeria syndrome, in the R. Balki-directed dramedy Paa. Amitabh Bachchan played the role of Vidya's son and Abhishek Bachchan played the titular character. Well received by critics, the film has been described as a major turning point in her career.[46] Sukanya Verma compared her acting style to that of Dimple Kapadia and noted, "Balan is poignant yet restrained and projects an impressive figure of grace and integrity";[47] Nikhat Kazmi from The Times of India further argued that Vidya was successful in lending a "rare dignity to the image of the Bollywood mom."[48] Her portrayal ultimately fetched her a Filmfare Award for Best Actress and a Screen Award for Best Actress, among other wins.[28]
Vidya followed the success of Paa with the Vishal Bhardwaj-produced Ishqiya (2010), a black comedy directed by debutant Abhishek Chaubey; co-starring Naseeruddin Shah, Arshad Warsi, and Salman Shahid. Vidya's role was that of Krishna Verma, a sexually manipulative woman. Vidya described her character as "an epitome of grey" and a departure from the conventional portrayal of women in cinema.[49] In preparation for her part, she undertook professional training to speak in the local Uttar Pradesh-dialect.[50] The feature as well as her performance received critical acclaim; Anupama Chopra of NDTV stated, "Vidya Balan's smoldering looks scorch the screen even as her eyes hint at tragedy. She proves that she is miles ahead of the cookie cutter Barbie dolls that clutter Bollywood and that sensuality has very little to do with showing skin."[51] Her work in the film earned Vidya a Filmfare Critics Award for Best Actress, a second consecutive Best Actress award at Screen and a nomination for Best Actress at Filmfare.[52]
Tusshar Kapoor, Vidya Balan and Emraan Hashmi pose for the camera together. 
Vidya with co-stars Tusshar Kapoor (left) and Emraan Hashmi at the audio release of The Dirty Picture. Her performance in the film met with unanimous acclaim and among other wins, fetched her a National Film Award and a Filmfare Award for Best Actress
Vidya's first release of 2011 was Raj Kumar Gupta's semi-biographical thriller No One Killed Jessica, alongside Rani Mukerji. The film, based on the Jessica Lal murder case, saw Vidya portray the real-life character of Sabrina Lal, Jessica's reticent sister. While preparing for her role, Vidya did not meet Lal on the insistence of Gupta as "the Sabrina [...] today is different from the Sabrina a decade ago, [when] the story begins".[53] No One Killed Jessica met with contrasting reviews from critics, but Vidya's performance was particularly praised. The Hindu remarked on Vidya's ability to be "in sublime control over her emotions"[54] and Savera Someshwar of Rediff.com added that "her hesitant body language, her faith, her helplessness, her rage, her sorrow and her gratitude all come across beautifully".[55] The film had net earnings of INR490 million (US$8.3 million) and was noted for being a commercial success despite the absence of a male lead.[56] Vidya earned another Filmfare nomination in the Best Actress category for the film.[57] In March 2011, a retrospective of Vidya's films was held in Australia, as part of the film festival Bollywood & Beyond.[58] That same year, Vidya featured in a guest appearance in Santosh Sivan's Malayalam language fantasy film Urumi.[59]
Vidya's next appearance was in Ekta Kapoor's production The Dirty Picture, a biopic based on the life and death of the controversial Indian actress Silk Smitha.[60] Vidya was cast as Silk, who was—in Vidya's words—"known for her brazenness and in-your-face sexuality."[61] She described the role as the "boldest" she had ever played, one that "required a lot of mental preparation," and to look the part, she gained 12 kilograms (26 lb).[62] The film opened to major critical acclaim, and Vidya received unanimous praise for her portrayal which several reviewers regarded as her best performance to date. Khalid Mohamed observed, "She's extraordinary: gutsy, consistently in character and unafraid of exposing her darker side. Here's the kind of complex performance which you haven't evidenced in years and years."[63] Her director Milan Luthria described her as the contemporary claimant of the "sex-symbol" title, and compared her "voluptuousness" to the likes of yesteryear actresses Sridevi and Vyjayanthimala.[64] The film was eventually declared a blockbuster,[65][66] earning INR1.17 billion (US$20 million) worldwide.[67] Vidya won a second Filmfare Award, a third consecutive Screen Award, and a National Film Award for Best Actress.[52][68]
For her next feature film, Vidya starred as Vidya Bagchi, a pregnant woman in search of her missing husband in Sujoy Ghosh's Kahaani (2012). The thriller, set in the city of Kolkata during the Durga Puja festivities, met with wide critical acclaim. To lend authenticity to her part, Vidya met several pregnant women and learnt about their lifestyle.[69] She generated public and media attention by wearing a fake baby bump during the film's promotional activities.[70][71] Vidya received further appreciation for her performance in Kahaani. Subhash K. Jha praised Vidya's portrayal of "grace under pressure" as "measured and skilled"; Pratim D. Gupta of The Telegraph added that she "gets into the physicality of a pregnant woman with unfailing mastery".[72][73] Kahaani emerged as a major commercial success both at the domestic and international box office, with revenues of over INR1.04 billion (US$18 million).[74] Vidya won a fourth consecutive Best Actress Award at Screen and a third Best Actress Award at Filmfare.[75][76]
After completing the duties of a jury member at the 2013 Cannes Film Festival, Vidya starred (opposite Emraan Hashmi) as a "loud" and "boisterous" Punjabi woman in Ghanchakkar, a comic-thriller from director Raj Kumar Gupta.[77][78] Upon release, the film received little praise from the critics and was a box office flop.[79] Rajeev Masand found the film "lazily scripted" but added that "Vidya Balan offers a particularly uninhibited performance as the garrulous, fashion-disaster of a housewife; the kind of part few leading ladies would venture near, or competently pull off."[80] Gaurav Malani of The Times of India was more critical of Vidya's performance and wrote, "Her put on Punjabi accent is a major put off and her nagging wife character irritates after a while."[81]
As of July 2013, Vidya is filming for Saket Chaudhary's romantic comedy Shaadi Ke Side Effects, a sequel to the 2006 film Pyaar Ke Side Effects.[77]

Personal life

Vidya Balan and Siddharth Roy Kapur are smiling at the camera. 
Vidya and Siddharth Roy Kapur at their wedding ceremony, December 2012
The mass media has often speculated about a romantic relationship between Vidya and her co-actors, but she has strongly denied these reports.[82][83] In 2009, Vidya was involved in a controversy when she mentioned a previous relationship in which "caustic remarks" were made at her due to her weight. She said, "If someone who matters to you takes you down, it can break you. That someone whose approval mattered to me started to constantly find faults with me. At that point of time, it was important to walk away from that relationship."[84] Though she refused to name the person, tabloid reports suggested that she was referring to Shahid Kapoor (her co-star in Kismat Konnection).[85] Kapoor, however, denied the allegations.[86] During an interview in May 2012, Vidya announced that she was dating Siddharth Roy Kapur, the CEO of UTV Motion Pictures.[87] On 14 December 2012, the couple were married in a private ceremony in Bandra, Mumbai.[88]
Vidya is trained in carnatic music and briefly studied the dance forms of Bharatnatyam and Kathak.[89] Regarding her religious affiliations, Vidya said, "I am a person with a lot of faith and I have conversations [with God] all the time but I am not so religious in the conventional, organised sense".[11] She practices vegetarianism and was listed as "India's hottest vegetarian" in polls conducted by PETA in 2011 and 2012.[90][91] Her weight fluctuations over the years have been the subject of substantial media coverage in India.[92][93][94]
Besides acting in film, Vidya is a social activist. In March 2011,she endorsed World Wildlife Fund's Earth Hour campaign in India.[95] She campaigned for the cause of nutrition in India for CINI (Child in Need Institute), a non-profit organisation based in Kolkata.[96] In September 2012, Vidya visited a village in Mirzapur, Uttar Pradesh, where she participated in a campaign to promote children's education and the empowerment of women.[97] For her attempts to empower women, Vidya was awarded The Prabha Khaitan Puraskar 2012 by the Calcutta Chamber of Commerce; she was the youngest recipient of the award.[98] Vidya has also been appointed by the Government of India as their brand ambassador in the drive to improve the country's sanitary condition.[99]

Media image and artistry

Vidya Balan holds a ball in her hand at a soccer field. 
Vidya at the Melbourne Cricket Ground, 2012
Following the success of Parineeta and Lage Raho Munna Bhai, Vidya's film roles were subject to wide critical analysis.[100] Vir Sanghvi noted that the films Heyy Babyy and Kismat Konnection were "strange films [...] in which she tried to pretend to be what she is not — a Bollywood bimbette."[11] Vidya described that particular phase in her career as a "struggle to be someone else".[101] Due to the criticism that her film choices evoked, Vidya decided to choose roles that she "believed in" rather than choose by convention.[102] Members of the media have subsequently labelled her as "bold" and "daring" in her choices.[103][104]
Her starring roles in Heyy Babyy and Kismat Konnection also led to considerable attention in the media for her "questionable wardrobe". Several publications listed her as the "worst dressed actress" and her costume designers attributed her failure to carry off western clothes due to her weight and body structure.[105][106][107] She was later praised in the media for wearing saris at public events; designer Niharika Khan explained, "Vidya's beauty lies in her curves. She's comfortable in her voluptuousness, and therefore in a sari."[108] Vidya has since been identified as defying "an anglicised idea of sexuality" and embody the idea of "raw Indian sexuality".[102]
After portraying headstrong, independent women in Paa, Ishqiya, No One Killed Jessica, The Dirty Picture and Kahaani, Vidya was credited in the media for breaking stereotypes of a Hindi film heroine.[109] The major commercial success of the latter two also contributed to her being labelled as a "female hero".[2][110] Film critic Mayank Shekhar predicted, "Just a few smart male actors can completely change the face of a commercial, star-driven film industry. Looking at [...] Vidya Balan [...] it appears, that change could well originate from the leading lady instead."[111] India Today featured her in their listing of the "25 Power Women" and noted that "she has toppled the all dominating hero, reducing him to a supporting role in a male dominated film industry".[112]
Vidya occupied the top slot in Rediff.com's annual listing of "Bollywood's Best Actress" for two consecutive years (2010–11).[103][113] She also featured in the list for the years 2005, 2006, 2009, and 2012.[114][115][116][117] In 2010, she featured in Filmfare's listing of the "Women we love".[118] In 2012, the magazine Verve listed her as one of India's "Young Power Women" and wrote, "In a reel world peopled by size zero-toned bodies and pretty-as-a-picture heroines, Vidya comes across as completely real and natural – a woman who has followed her own instincts and dared to live her destiny by being her own person and not morphing herself to fit into any conventional slot."[119]

Filmography

Films

Year Title Role Notes
2003 Bhalo Theko Anandi Bengali film
2005 Parineeta Lalita Filmfare Award for Best Female Debut
Nominated—Filmfare Award for Best Actress
2006 Lage Raho Munna Bhai Jhanvi
2007 Guru Meenakshi "Meenu" Saxena
2007 Salaam-E-Ishq Tehzeeb Raina
2007 Eklavya: The Royal Guard Rajeshwari
2007 Heyy Babyy Isha Sahni
2007 Bhool Bhulaiyaa Avani Chaturvedi / Manjulika Nominated—Filmfare Award for Best Actress
2007 Om Shanti Om Herself Special appearance in song "Deewangi Deewangi"
2008 Halla Bol Sneha
2008 Kismat Konnection Priya
2009 Paa Vidya Filmfare Award for Best Actress
2010 Ishqiya Krishna Verma Filmfare Critics Award for Best Actress
Nominated—Filmfare Award for Best Actress
2011 No One Killed Jessica Sabrina Lal Nominated—Filmfare Award for Best Actress
2011 Urumi Bhumi / Makkom Malayalam film
Guest appearance
2011 Thank You Kishan's wife Cameo appearance
2011 Dum Maaro Dum Mrs. Kamath Cameo appearance
2011 The Dirty Picture Silk / Reshma National Film Award for Best Actress
Filmfare Award for Best Actress
2012 Kahaani Vidya Bagchi Filmfare Award for Best Actress
2012 Ferrari Ki Sawaari Special appearance in song "Mala Jau De"
2013 Bombay Talkies Herself Special appearance in song "Apna Bombay Talkies"
2013 Ghanchakkar Neetu Athray
2013 Shaadi Ke Side Effects Trisha Filming

Television

Year Show Role Channel
1995 Hum Paanch Radhika Zee TV