Sunday, 3 March 2013

Pooja Chopra

Personal Profile (Personal Biography)
Date of Birth (Birthday):  May 3, 1985
Zodiac Sign:  Leo
Height:  5'8"
Weight:  54 kgs
Hair Color:  Black
Birth Place:  Kolkata, West Bengal
Marital Status:  Single
Hobbies:  Posing for photoshoots
http://www.surfindia.com/celebrities/bollywood/images/pooja-chopra2.jpg
Who is Pooja Chopra
Pooja Chopra has been crowned Femina Miss India World 2009. The beauty queen keeps herself busy with a lot of fashion events, public appearances, shoots and endorsements. She is attractive, confident, has an infectious smile and a charming personality but she was not able to make it to Miss World title. A tomboy to the core and an active participant in sports, Pooja Chopra gradually started being in tune with her feminine side. She has also walked the ramp for Gitanjali, D'Damas, Manish Malhotra, Vikram Phadnis, Wendell Rodricks, Mihika Mirpuri, and Roberto Cavalli.
TV Commercials

  • Mr Muscle
  • Big 97 FM
  • Dabur Honey
  • Coke (Pakistan)
  • EZone
http://katrinaspack.com/wp-content/uploads/2011/03/pooja_chopra.jpg
Awards
  • Won 2009 Femina Miss India East title.
  • Won Pantaloons Femina Miss India-World 2009.
  • Won Beauty With a Purpose title in Miss World 2009 with her project "Nanhi Kali".
  • Miss Perfect 10, Miss Catwalk and Nakshatra Miss Sparkling Beauty
http://photogallery.indiatimes.com/beauty-pageants/miss-india/pooja-chopra/photo/4383804/Pooja-Chopra.jpghttp://photogallery.indiatimes.com/beauty-pageants/miss-india/pooja-chopra/photo/4383816/Pooja-Chopra.jpghttp://i.bollywoodmantra.com/albums/events/awards/great-women-awards-red-carpet/pooja-chopra___173997.JPG

Clint Eastwood

http://www.biography.com/imported/images/Biography/Images/Profiles/E/Clint-Eastwood-9283502-1-402.jpgBirthday: 31 May 1930, San Francisco, California, USA
Height: 6' 2" (1.88 m)

Biography

Perhaps the icon of macho movie stars, Clint Eastwood has become a standard in international cinema. Born in San Francisco, he is the son of Clinton Eastwood, Sr., a factory worker, and Ruth Wood (née Runner). The family frequently moved around Northern California when Clint was growing up before settling in Oregon. He moved to Seattle in 1951 and worked as a lifeguard and swim instructor for the military for two years, before returning to California.

In 1955 Clint began working as an actor with uncredited bit parts in B-movies. He almost gave up acting before getting his big break on the TV series "Rawhide" (1959), where he was a supporting cast member for six years. While still on the show, Eastwood was cast in his first substantial role, as "The Man with No Name" in the low-budget Italian western A Fistful of Dollars (1964). This was followed by For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966); none of the three films were released in America until 1968. His next film was Hang 'Em High (1968). He took a co-starring role in the unconventional musical Paint Your Wagon (1969), then combined tough-guy action with offbeat humor in Kelly's Heroes (1970) and Two Mules for Sister Sara (1970).

1971 proved to be a turning point in Eastwood's career and one of his best years in film, if not the best. He starred in three high-caliber films, starting with The Beguiled (1971), as a wounded soldier who stumbles into a sexually repressed all-girls boarding school. The film was directed by his mentor, Don Siegel. Eastwood then directed his first movie, Play Misty for Me (1971), a thriller about psychotic sexual obsession. That same year, he played the hard edge police inspector in Dirty Harry (1971), which invented the loose-cannon cop genre that has been imitated even to this day, and made Eastwood a superstar at last. Eastwood had a constant stream of quality films in the following years, teaming up with Jeff Bridges in Thunderbolt and Lightfoot (1974), starring in the "Dirty Harry" sequels Magnum Force (1973) and The Enforcer (1976), the American revisionist westerns High Plains Drifter (1973) and The Outlaw Josey Wales (1976), the action-packed road adventure The Gauntlet (1977), the hugely successful comedy Every Which Way But Loose (1978), and the fact-based thriller Escape from Alcatraz (1979).

Clint kicked off the eighties with Any Which Way You Can (1980), the blockbuster sequel to "Every Which Way but Loose". The fourth 'Dirty Harry' film, Sudden Impact (1983), became the highest grossing film of the series. Clint also starred in Firefox (1982), Tightrope (1984), Pale Rider (1985), and Heartbreak Ridge (1986), which were all big hits at the box office and got good reviews. His fifth and final "Dirty Harry" movie, The Dead Pool (1988), was only a minor commercial success and panned by critics. Shortly after his career declined with the outright bomb comedy Pink Cadillac (1989) and the disappointing cop film The Rookie (1990). It was fairly obvious that Eastwood's star was declining as it never had before.

But Eastwood quickly bounced back, first with his western Unforgiven (1992), which garnered him his first Oscar nomination as Best Actor, and wins for Best Director and producer of the Best Picture. Then he took on the secret service in In the Line of Fire (1993), another huge hit. The Bridges of Madison County (1995), a love story with Meryl Streep, was a surprise hit at the box office and was hailed as one of his best performances. The quality of his next four films varied: Absolute Power (1997) and Space Cowboys (2000) were well-received, while True Crime (1999) and Blood Work (2002) were badly received.

In what is arguably the finest film of his career, Eastwood directed and starred opposite Hilary Swank in Million Dollar Baby (2004). A critical and commercial triumph, the movie won the Academy Award for Best Picture, as well as earning Eastwood a second nomination for Best Actor and win for Best Director. After this he starred in Gran Torino (2008), and the film's $30 million opening weekend in January 2009 made Eastwood the oldest leading man to reach #1 at the box office.

After starring in iconic movies for four decades, Clint Eastwood has proved himself to be the longest-running movie star. Although he is aging now and focusing more on directing, his career as a director continues to thrive with the award-winning films Mystic River (2003), Flags of Our Fathers (2006), Letters from Iwo Jima (2006), and Changeling (2008) which starred Angelina Jolie.

Eastwood has managed to keep his scandalous personal life private and has rarely been featured in the tabloid press. He had a fourteen-year relationship with actress Sondra Locke and has seven children by five other women

Charles Laughton

http://upload.wikimedia.org/wikipedia/commons/9/9f/Charles_Laughton.jpgBirthday: 1 July 1899, Scarborough, Yorkshire, England, UK
Height: 5' 8" (1.73 m)

Biography

Son of Robert Laughton and Elizabeth Conlon. Educated at Stonyhurst, Royal Academy of Dramatic Art (received gold medal). First appearance on stage, 1926. Formed own film company, Mayflower Pictures Corp., with Erich Pommer in 1937. Became American citizen 1950. A consummate artist, Laughton achieved great success on stage and film, with many staged readings (particularly of George Bernard Shaw) to his credit 

Laughton was trained in London at the Royal Academy of Dramatic Art (RADA) and first appeared professionally on the stage in 1926. He played a wide range of classical and modern parts, making a big impact in Shakespeare at the Old Vic. His film career took him to Hollywood, but he also collaborated with Alexander Korda on some of the most notable British films of the era, including The Private Life of Henry VIII.
Among Laughton's biggest film-hits were The Barretts of Wimpole Street, Mutiny on the Bounty, Ruggles of Red Gap, Jamaica Inn, The Hunchback of Notre Dame and The Big Clock. In his later career, he took up stage directing, notably in the Caine Mutiny Court Martial, and George Bernard Shaw's Don Juan in Hell, in which he also starred. He directed the acclaimed thriller The Night of the Hunter. In 1927, he was cast in a play with his future wife Elsa Lanchester, with whom he lived and worked until his death. They had no children.

1933–1943

From the trailer for Mutiny on the Bounty (1935)
Laughton soon gave up the stage in preference for a film career and returned to Hollywood where his next film was White Woman (1933) in which he co-starred with Carole Lombard as a Cockney river trader in the Malayan jungle. Then came The Barretts of Wimpole Street (1934) as Norma Shearer's character's malevolent father (although Laughton was only three years older than Shearer); Les Misérables (1935) as Inspector Javert; one of his most famous screen roles in Mutiny on the Bounty (1935) as Captain William Bligh, co-starring with Clark Gable as Fletcher Christian; and Ruggles of Red Gap (1935) as the very English butler transported to early 1900s America. He signed to play Micawber in David Copperfield (1934), but after a few days shooting asked to be released from the part and was replaced by W.C. Fields.[citation needed]
Back in the UK, and again with Korda, he played the title role in Rembrandt (1936). In 1937, also for Korda, he starred in an ill-fated film version of the classic novel, I, Claudius, by Robert Graves, which was abandoned during filming owing to the injuries suffered by co-star Merle Oberon in a car crash. After I, Claudius, he and the ex-patriate German film producer Erich Pommer founded the production company Mayflower Pictures in the UK, which produced three films starring Laughton: Vessel of Wrath (US Title The Beachcomber) (1938), based on a story by W. Somerset Maugham, in which his wife, Elsa Lanchester, co-starred; St. Martin's Lane (US Title Sidewalks of London), about London street entertainers, which featured Vivien Leigh and Rex Harrison; and Jamaica Inn, with Maureen O'Hara and Robert Newton, about Cornish smugglers, based on Daphne du Maurier's novel, and the last film Alfred Hitchcock directed in Britain before moving to Hollywood in the late 1930s.
The films produced were not commercially successful enough, and the company was saved from bankruptcy only when RKO Pictures offered Laughton the title role (Quasimodo) in The Hunchback of Notre Dame (1939), with Jamaica Inn co-star O'Hara. Laughton and Pommer had plans to make further films, but the outbreak of World War II, which implied the loss of many foreign markets, meant the end of the company. Laughton's early success in The Private Life of Henry VIII established him as one of the leading interpreters of the costume and historical drama parts for which he is best remembered (Nero, Henry VIII, Mr. Barrett, Inspector Javert, Captain Bligh, Rembrandt, Quasimodo and others); he was also type-cast for arrogant, unscrupulous characters.[citation needed]
He largely moved away from historical parts when he played an Italian vineyard owner in California in They Knew What They Wanted (1940); a South Seas patriarch in The Tuttles of Tahiti (1942); and an American admiral during World War II in Stand by for Action (1942). He played a Victorian butler in Forever and a Day (1943) and an Australian bar-owner in The Man from Down Under (1943). Simon Callow's 1987 biography quotes a number of contemporary reviews of Laughton's performances in these films. James Agate, reviewing Forever and a Day, wrote: "Is there no-one at RKO to tell Charles Laughton when he is being plain bad?" On the other hand, Bosley Crowther of the New York Times declared that Forever and a Day boasted "superb performances".[4]
C.A. Lejeune, wrote Callow, was "shocked" by the poor quality of Laughton's recent work: "One of the most painful screen phenomena of latter years", she wrote in The Observer, "has been the decline and fall of Charles Laughton." On the other hand, David Shipman, in his book The Great Movie Stars: The Golden Years, said "Laughton was a total actor. His range was wide".[5]

1943–1962

Laughton played a cowardly schoolmaster in occupied France in This Land is Mine (1943), by Jean Renoir, in which he engaged himself most actively;[6] in fact, while Renoir was still working on an early script, Laughton would talk about Alphonse Daudet's story "The Last Lesson", which suggested to Renoir a relevant scene for the film.[7] Laughton played a henpecked husband who eventually murders his wife in The Suspect (1944), directed by Robert Siodmak, who would become a good friend.[8] He played sympathetically an impoverished composer-pianist in Tales of Manhattan (1942) and starred in an updated version of Oscar Wilde's The Canterville Ghost in 1944.
Laughton appeared in two comedies with Deanna Durbin, It Started with Eve (1941) and Because of Him (1946). He portrayed a bloodthirsty pirate in Captain Kidd (1945) and a malevolent judge in The Paradine Case (1948). Laughton played a megalomaniac press tycoon in The Big Clock (1948). He had supporting roles as a Nazi in pre-war Paris in Arch of Triumph (1948), as a bishop in The Girl from Manhattan (1948), as a seedy go-between in The Bribe (1949), and as a kindly widower in The Blue Veil (1951). He played a Bible-reading pastor in the multi-story A Miracle Can Happen (1947), but his piece wound up being cut and replaced with another featuring Dorothy Lamour, and in this form the film was retitled as On Our Merry Way. However, an original print of A Miracle Can Happen was sent abroad for dubbing before the Laughton sequence was deleted, and in this form it was shown in Spain as Una Encuesta Llamada Milagro.
Laughton as Henry VIII in the trailer for Young Bess (1953)
Laughton made his first colour film in Paris as Inspector Maigret in The Man on the Eiffel Tower (1949) and, wrote the Monthly Film Bulletin, "appeared to overact" alongside Boris Karloff as a mad French nobleman in a version of Robert Louis Stevenson's The Strange Door in 1951. He played a tramp in O. Henry's Full House (1952). He became a pirate again, buffoon style this time, in Abbott and Costello Meet Captain Kidd (1952). Laughton made a guest appearance on the Colgate Comedy Hour (featuring Abbott and Costello), in which he delivered the Gettysburg Address. In 1953 he played Herod Antipas in Salome and repeated his role as Henry VIII in Young Bess (1953).
He returned to Britain to star in Hobson's Choice (1954), directed by David Lean. Laughton received Academy Award and Golden Globe nominations for his role in Witness for the Prosecution (1957). He played a British admiral in Under Ten Flags (1960) and worked with Laurence Olivier in Spartacus (1960). His final film was Advise and Consent (1962), for which he received favourable comments for his performance as a Southern US Senator (for which accent he studied recordings of Mississippi Senator John Stennis). Laughton worked on the film, which was directed by Otto Preminger, while he was dying from metastatic renal cell carcinoma (kidney cancer).[9]

Awards and nominations

Laughton won the New York Film Critics' Circle Awards for Mutiny on the Bounty and Ruggles of Red Gap in 1935.
Academy Awards
  • 1933: Won Best Actor in a Leading Role, The Private Life of Henry VIII
  • 1936: Nominated Best Actor in a Leading Role, Mutiny on the Bounty
  • 1958: Nominated Best Actor in a Leading Role, Witness for the Prosecution

    Theatre performances

    Actor

    first appearance, debut on the London stage (aka The Government Inspector)
    police drama; he is the first actor to play detective Hercule Poirot
    debut on the New York stage
    police drama, Laughton is also the director (American version of Alibi)
    drama, Laughton is also the director
    comedy, Laughton is also the director
    classic tragedy

    Director

    police drama, Laughton also acts in the play.
    • 1951 and 1952: Don Juan in Hell (the third act of Man and Superman), by George Bernard Shaw
    drama, Laughton also acts in the play.
    with Judith Anderson
    comedy, Laughton also acts in the play
    drama, with Henry Fonda, transferred in 1954 to the screen by Edward Dmytryk

    Producer

    • 1955: 3 for Tonight
    musical revue, with Harry Belafonte

Claude Rains

http://t0.gstatic.com/images?q=tbn:ANd9GcSpjhSe4FS346WCwir8H5XLZ3-DnJ4DjBNZZhdUWZvlvRr_HI1pnQBirthday: 10 November 1889, Camberwell, London, England, UK
Height: 5' 6½" (1.69 m)

Biography

William Claude Rains, born in the Camberwell area of London, was the son of the British stage actor Frederick Rains. The younger Rains followed, making his stage debut at the age of eleven in "Nell of Old Drury." Growing up in the world of theater, he saw not only acting up close but the down-to-earth business end as well, progressing from a page boy to a stage manager during his well-rounded learning experience. Rains decided to come to America in 1913 and the New York theater, but with the outbreak of World War I the next year, he returned to serve with a Scottish regiment in Europe. He remained in England, honing his acting talents, bolstered with instruction patronized by the founder of the Royal Academy of Dramatic Arts, Herbert Beerbohm Tree. It was not long before his talent garnered him acknowledgment as one of the leading stage actors on the London scene. His one and only silent film venture was British with a small part for him, the forgettable -- Build Thy House (1920).

In the meantime, Rains was in demand as acting teacher as well, and he taught at the Royal Academy. Young and eager Laurence Olivier and John Gielgud were perhaps his best known students. Rains did return to New York in 1927 to begin what would be nearly 20 Broadway roles. While working for the Theater Guild, he was offered a screen test with Universal Pictures in 1932. Rains had a unique and solid British voice-deep, slightly rasping -- but richly dynamic. And as a man of small stature, the combination was immediately intriguing. Universal was embarking on its new-found role as horror film factory, and they were looking for someone unique for their next outing, The Invisible Man (1933). Rains was the very man. He took the role by the ears, churning up a rasping malice and volume in his voice to achieve a bone chilling persona of the disembodied mad doctor. He could also throw out a high-pitched maniac laugh that would make you leave the lights on before going to bed. True to Universal's formula mentality, it cast him in similar roles through 1934 with some respite in more diverse film roles -- and further relieved by Broadway roles (1933, 1934) for the remainder of his contract. By 1936, he was at Warner Bros. with its ambitious laundry list of literary epics in full swing. His acting was superb, and his eyes could say as much as his voice. And his mouth could take on both a forbidding scowl and the warmest of smiles in an instant. His malicious, gouty Don Luis in Anthony Adverse (1936) was inspired. After a shear lucky opportunity to dispatch his young wife's lover, Louis Hayward, in a duel, he triumphs over her in a scene with derisive, bulging eyes and that high pitched laugh -- with appropriate shadow and light backdrop -- that is unforgettable.

He was kept very busy through the remainder of the 1930s with a mix of benign and devious historical, literary, and contemporary characters always adapting a different nuance -- from murmur to growl -- of that voice to become the person. He culminated the decade with his complex, ethics-tortured Senator "Joe" Paine in Mr. Smith Goes to Washington (1939). That year he became an American citizen. Into the 1940s, Rains had risen to perhaps unique stature: a supporting actor who had achieved A-list stardom -- almost in a category by himself. His some 40 films during that period ranged from subtle comedy to psychological drama with a bit of horror revisited; many would be golden era classics. He was the firm but thoroughly sympathetic Dr. Jaquith in Now, Voyager (1942) and the smoothly sardonic but engaging Capt. Louis Renault -- perhaps his best known role -- in Casablanca (1942). He was the surreptitiously nervous and malignant Alexander Sebastian in Notorious (1946) and the egotistical and domineering conductor Alexander Hollenius in Deception (1946). He was the disfigured Phantom of the Opera (1943) as well. He played opposite the challenging Bette Davis in three movies through the decade and came out her equal in acting virtuosity. He was nominated four times for the Best Supporting Actor Oscar -- but incredibly never won. With the 1950s the few movies left to an older Rains were countered by venturing into new acting territory -- television. His haunted, suicidal writer Paul DeLambre in the mountaineering adventure The White Tower (1950), though a modest part, was perhaps the most vigorously memorable film role of his last years. He made a triumphant Broadway return in 1951's "Darkness at Noon."

Rains embraced the innovative TV playhouse circuit with nearly 20 roles. As a favored 'Alfred Hitchcock' alumnus, he starred in five "Alfred Hitchcock Presents" (1955) suspense dramas into the 1960s. And he did not shy away from episodic TV either with some memorable roles that still reflected the power of Claude Rains as consummate actor -- for many, first among peers with that hallowed title

Charles Chaplin

http://t3.gstatic.com/images?q=tbn:ANd9GcRhOgVjPJvG3QtTJfDd8DZoElocwsvd8B1ollj54_NSXRPbiU3F3wBirthday: 16 April 1889, Walworth, London, England, UK
Height: 5' 5" (1.65 m)

Biography

Charlie Chaplin, considered to be one of the most pivotal stars of the early days of Hollywood, lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular "Little Tramp" character; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk. Charles Spencer Chaplin was born in Walworth, London, England on April 16th, 1889 to Charles and Hannah (Hill) Chaplin, both music hall performers, who were married on June 22nd, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin (born Sydney Hawkes), spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May of 1903 and lived there until 1921, when Chaplin moved her to California. Chaplin began his official acting career at the age of eight, touring with The Eight Lancashire Lads. At 18 he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 US tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all. In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA). Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, during which time his loyalty to England, his home country, was questioned. He had never applied for US citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and his other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Council (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, it grossed over $5 million and earned five Academy Award Nominations. Another scandal occurred when Chaplin briefly dated 22-year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May of 1943 Barry returned to inform Chaplin that she was pregnant, and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time blood tests were inadmissible evidence and he was ordered to pay $75 a week until the child turned 21. Chaplin was also scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the U.S. government questioned his moral and political views, suspecting him of having Communist ties. For this reason HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. He and his wife decided, instead, to settle in Switzerland. Chaplin was married four times and had a total of 11 children. In 1918, he wed Mildred Harris, they had a son together, Norman Spencer Chaplin, who only lived three days. Chaplin and Mildred were divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene, Jane, Annette-Emilie and Christopher Chaplin. In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a lot. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker, and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century." He was awarded Knight Bachelor of the Order of the British Empire in the 1975 Queen's Honours List for his services to entertainment. Chaplin's other works included musical scores he composed for many of his films. He also authored two autobiographical books, "My Autobiography" in 1964 and its companion volume, "My Life in Pictures" in 1974. Chaplin died of natural causes on December 25, 1977 at his home in Switzerland. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement. Charlie Chaplin was considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world, and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same

Clark Gable

Birthday: 1 February 1901, Cadiz, Ohio, USA
Height: 6' 1" (1.85 m)

Biography

Clark Gable's mother died when he was seven months old. At 16 he quit high school, went to work in an Akron (Ohio) tire factory and decided to become an actor after seeing the play "The Bird of Paradise". He toured in stock companies, worked oil fields and sold ties. In 1924 he reached Hollywood with the help of Portland, Oregon, theatre manager Josephine Dillon, who coached and later married him (she was 17 years his senior). After playing a few bit parts he returned to the stage, becoming lifelong friends with Lionel Barrymore. After several failed screen tests (for Barrymore and Darryl F. Zanuck), Gable was signed in 1930 by MGM's Irving Thalberg. Joan Crawford asked for him as co-star in Dance, Fools, Dance (1931) and the public loved him manhandling Norma Shearer in A Free Soul (1931) the same year. His unshaven lovemaking with bra-less Jean Harlow in Red Dust (1932) made him MGM's most important star. At one point he refused an assignment and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which put him in Frank Capra's It Happened One Night (1934), which won him an Oscar. He returned to far more substantial roles at MGM, such as Fletcher Christian in Mutiny on the Bounty (1935) and Rhett Butler in Gone with the Wind (1939). When his third wife Carole Lombard died in a plane crash returning from a War Bond drive, a grief-stricken Gable joined the US Army Air Force and was off the screen for three years, flying combat missions in Europe. When he returned the studio regarded his salary as excessive and did not renew his contract. He freelanced, but his films didn't do well at the box office. He announced during filming of The Misfits (1961) that, for the first time, he was to become a father. Two months later he died of a heart attack. He was laid to rest beside Carole Lombard at Forest Lawn Cemetery 
In 1930, after his impressive appearance as the seething and desperate character Killer Mears in the Los Angeles stage production of The Last Mile, Gable was offered a contract with MGM. His first role in a sound picture was as the unshaven villain in a low-budget William Boyd western called The Painted Desert (1931). He received a lot of fan mail as a result of his powerful voice and appearance; the studio took notice.
In 1930, Gable and Josephine Dillon were divorced. A few days later, he married Texas socialite Maria Franklin Prentiss Lucas Langham, nicknamed "Ria". After moving to California, they were married again in 1931, possibly due to differences in state legal requirements.
With Jean Harlow in The Secret Six.
"His ears are too big and he looks like an ape", said Warner Bros. executive Darryl F. Zanuck about Clark Gable after testing him for the lead in Warner's gangster drama Little Caesar (1931).[14] The same year, in Night Nurse, Gable played a villainous chauffeur who was gradually starving two adorable little girls to death, then knocked Barbara Stanwyck's character unconscious with his fist, a supporting role originally slated for James Cagney until the release of The Public Enemy abruptly made Cagney a leading man. After several failed screen tests for Barrymore and Zanuck, Gable was signed in 1930 by MGM's Irving Thalberg. He became a client of well-connected agent Minna Wallis, sister of producer Hal Wallis and very close friend of Norma Shearer. Gable's timing in arriving in Hollywood was excellent, as MGM was looking to expand its stable of male stars and he fit the bill. Gable first worked mainly in supporting roles, often as the villain. He made two pictures in 1931 with Wallace Beery, a minor role in The Secret Six, then with his part increasing in size to almost match Beery's in the naval aviation film Hell Divers. MGM's publicity manager Howard Strickland developed Gable's studio image, playing up his he-man experiences and his 'lumberjack in evening clothes' persona.[citation needed]
To bolster his rocketing popularity, MGM frequently paired him with well-established female stars. Joan Crawford asked for him as her co-star in Dance, Fools, Dance (1931). He built his fame and public visibility in such movies as A Free Soul (1931), in which he played a gangster who shoved the character played by Norma Shearer (Gable never played a supporting role again). The Hollywood Reporter wrote "A star in the making has been made, one that, to our reckoning, will outdraw every other star... Never have we seen audiences work themselves into such enthusiasm as when Clark Gable walks on the screen".[15] He followed that with Susan Lenox (Her Fall and Rise) (1931) with Greta Garbo, and Possessed (1931), in which he and Crawford (then married to Douglas Fairbanks, Jr.) steamed up the screen. Adela Rogers St. Johns later dubbed Gable and Crawford's real-life relationship as "the affair that nearly burned Hollywood down".[16] Louis B. Mayer threatened to terminate both their contracts, and for a while they kept apart. Gable shifted his attentions to Marion Davies. On the other hand, Gable and Garbo disliked each other. She thought he was a wooden actor while he considered her a snob.[citation needed]

Rising star

With Mary Astor in Red Dust (1932).
Gable was considered for the role of Tarzan the Ape Man but lost out to Johnny Weissmuller's more imposing physique and superior swimming prowess. However Gable's unshaven lovemaking with braless Jean Harlow in Red Dust (1932) soon made him MGM's most important male star. After the hit Hold Your Man (1933), MGM recognized the goldmine of the Gable-Harlow pairing, putting them in two more films, China Seas (1935; with Gable and Harlow billed above Wallace Beery) and Wife vs. Secretary (1936). An enormously popular combination, on-screen and off-screen, Gable and Jean Harlow made six films together, the most notable being Red Dust (1932) and Saratoga (1937). Harlow died during production of Saratoga. Ninety percent completed, the remaining scenes were filmed with long shots or the use of doubles like Mary Dees; Gable would say that he felt as if he was "in the arms of a ghost".[17]
According to legend, Gable was lent to Columbia Pictures, then considered a second-rate operation, as punishment for refusing roles; however, this has been refuted by more recent biographies. MGM did not have a project ready for Gable and was paying him $2000 per week, under his contract, to do nothing. Studio head Louis B. Mayer lent him to Columbia for $2500 per week, making a $500 per week profit.[4]
Gable was not the first choice to play the lead role of Peter Warne in It Happened One Night (1934). Robert Montgomery was originally offered the role, but he felt that the script was poor.[18] Filming began in a tense atmosphere,[4] but both Gable and Frank Capra enjoyed making the movie, although Colbert reportedly did not. Gable and Colbert won the Academy Award for Best Actor and Best Actress for their performances in the film, and the movie itself won the Academy Award for Best Picture. He returned to MGM a bigger star than ever.[19]
As Fletcher Christian in the trailer for Mutiny on the Bounty (1935).
The unpublished memoirs of animator Friz Freleng mention that this was one of his favorite films. It has been claimed that it helped inspire the cartoon character Bugs Bunny. Four things in the film may have coalesced to create Bugs: the personality of a minor character, Oscar Shapely, and his penchant for referring to Gable's character as "Doc;" an imaginary character named "Bugs Dooley" that Gable's character uses to frighten Shapely; and most of all, a scene in which Clark Gable eats carrots while talking quickly with his mouth full, as Bugs does.[20]
Gable also earned an Academy Award nomination for his portrayal of Fletcher Christian in 1935's Mutiny on the Bounty.


Charles Boyer

http://celebritytoob.com/wp-content/themes/Avenue/timthumb.php?src=http://celebritytoob.com/wp-content/uploads/2013/02/charles-boyer.1.jpg&w=300&h=460&zc=1&q=100Birthday: 28 August 1899, Figeac, Lot, France
Height: 5' 9" (1.75 m) 

Charles Boyer (28 August 1899 – 26 August 1978) was a French actor who appeared in more than 80 films between 1920 and 1976.[1] After receiving an education in drama, Boyer became a star of 1920s French theater, but he found his greatest success in American movies during the 1930s. His memorable performances were among the era's most highly praised in romantic dramas such as Conquest (1937) with Greta Garbo; Algiers (1938) with Hedy Lamarr; and Love Affair (1939) with Irene Dunne. Another famous role was in the 1944 mystery-thriller Gaslight opposite Ingrid Bergman. He received four Academy Award nominations for Best Actor.

Filmography

Features


Charlton Heston

http://celebritytoob.com/wp-content/themes/Avenue/timthumb.php?src=http://celebritytoob.com/wp-content/uploads/2013/02/charlton-heston.3.jpg&w=300&h=460&zc=1&q=100Birthday: 4 October 1923, Evanston, Illinois, USA
Height: 6' 3" (1.91 m)

Biography

With features chiseled in stone, who else but Charlton Heston could you picture as Michelangelo, as Ben-Hur, as Moses? Heston's movie career took off with The Greatest Show on Earth (1952) and reached light speed with Ben-Hur (1959). Although he has played a pantheon of larger-than-life roles, he usually prefers to talk about the day-to-day daily grind of the movie business, and especially credits the writers and directors he has worked for much of his success 

Heston frequently recounted that, while growing up in northern Michigan in a sparsely populated area, he often wandered in the forest, "acting" out the characters from books he had read.[15] Later, in high school, Heston enrolled in New Trier's drama program, playing in the silent 16 mm amateur film adaptation of Peer Gynt, from the Ibsen play, by future film activist David Bradley released in 1941.[16] From the Winnetka Community Theatre (Or, the Winnetka Dramatist's Guild as it was then known) in which he was active, he earned a drama scholarship to Northwestern University. Several years later Heston teamed up with Bradley to produce the first sound version of William Shakespeare's Julius Caesar, in which Heston played Mark Antony.

World War II service

In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke in the same year he joined the military. After his service and rise to fame, Heston was chosen as a narrator for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance." The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of TS.[17]

Theater and television

After the war, Heston and Clarke lived in Hell's Kitchen, New York City, where they worked as artists' models. Seeking a way to make it in theater, Heston and his wife Lydia decided to manage a playhouse in Asheville, North Carolina, in 1947. They made $100 a week. In 1948, they returned to New York where Heston was offered a supporting role in a Broadway revival of Shakespeare's Antony and Cleopatra, starring Katharine Cornell. In television, Heston played a number of roles in CBS's Studio One, one of the most popular anthology dramas of the 1950s. Film producer Hal B. Wallis of Casablanca spotted Heston in a 1950 television production of Wuthering Heights and offered him a contract. When his wife reminded Heston they had decided to pursue theater and television, he replied, "Well, maybe just for one film to see what it's like."
Heston most frequent stage roles included the title role in Macbeth, Sir Thomas More in A Man for All Seasons, and Mark Antony in Julius Caesar and Antony and Cleopatra.
In 1995, Heston starred with Peter Graves, Mickey Rooney and Deborah Winters in the Warren Chaney docudrama America: A Call to Greatness.[18] In 1998, Heston had a cameo role playing himself in The One with Joey's Dirty Day on the American television series Friends.
Charlton Heston as Mark Antony in Julius Caesar, 1950

Hollywood

Heston's first professional movie appearance was in Dark City, a 1950 film noir. His breakthrough came when Cecil B. DeMille cast him as a circus manager in The Greatest Show on Earth, which was named by the Motion Picture Academy as the best picture of 1952. In 1953, Heston was Billy Wilder's first choice to play Sefton in Stalag 17. However, the role was given to William Holden, who won an Oscar for it. Heston became an icon for portraying Moses in the hugely successful film The Ten Commandments (1956), reportedly being chosen by director Cecil B. DeMille because he thought the muscular, 6 ft 3 in, square jawed Heston bore an uncanny resemblance to Michelangelo's statue of Moses. In 1955, he appeared with Jane Wyman in the film, Lucy Gallant, the story of a woman determined to hold on to her dress shop in a small Texas oil-boom community. In 1958, Heston played a Mexican police officer, Ramon Miguel Vargas, in Orson Welles's widely acclaimed film noir Touch of Evil.
From the film trailer of Ben-Hur
Heston poses for his wife Lydia at their hilltop Beverly Hills home, just after winning an Oscar for his role in Ben-Hur, 1960.
After Marlon Brando, Burt Lancaster and Rock Hudson[19] turned down the title role in Ben-Hur (1959), Heston accepted the role, winning the Academy Award for Best Actor, one of the unprecedented eleven Oscars the film earned. After Moses and Ben-Hur, Heston became more identified with Biblical epics than any other actor. He voiced the role of Ben-Hur in a cartoon version of the Lew Wallace novel in 2003.
Heston played leading roles in a number of fictional and historical epics: El Cid (1961), 55 Days at Peking (1963), as Michelangelo in The Agony and the Ecstasy (1965), and Khartoum (1966). Heston also played the eponymous role in the western movie Will Penny (1968).
In 1965-71, Heston was the elected president of the Screen Actors Guild. The Guild had been created in 1933 for the benefit of actors, who had different interests than the producers and directors who controlled the Academy of Motion Pictures Arts and Sciences. Heston was more conservative than most actors, and publicly clashed with the outspoken liberal actor Ed Asner.[20]
In 1968, Heston starred in Planet of the Apes and in 1970, he had a smaller supporting role in the sequel, Beneath the Planet of the Apes. Also in 1970, Heston portrayed Mark Antony again in another film version of Shakespeare's Julius Caesar. His co-stars included Jason Robards as Brutus, Richard Chamberlain as Octavius, Robert Vaughn as Casca, and English actors Richard Johnson as Cassius, John Gielgud as Caesar, and Diana Rigg as Portia. In 1971, he starred in the science fiction film, The Omega Man. Although critically panned, the film is now considered a classic of post-apocalyptic horror. In 1972, Heston made his directorial debut and starred as Mark Antony in an adaptation of the William Shakespeare play he had performed earlier in his theater career, Antony and Cleopatra. Hildegarde Neil was Cleopatra and English actor Eric Porter was Enobarbus. After receiving scathing reviews, the film was never released to theaters, and is rarely seen on television. It was finally released on DVD in March 2011.[21] He subsequently starred in more successful films such as Soylent Green (1973) and Earthquake (1974).
Beginning with playing Cardinal Richelieu in 1973's The Three Musketeers, Heston was seen in an increasing number of supporting roles, cameos and live theater. From 1985 to 1987, he starred in his only prime-time stint on a television series in the soap, The Colbys. With his son Fraser, he produced and also starred in several TV movies, including remakes of Treasure Island and A Man For All Seasons. In 1992, Heston appeared on the A&E cable network in a short series of videos, Charlton Heston Presents the Bible, reading passages from the King James Version. Filmed in the Middle East, the series received excellent reviews, achieving great success on video and DVD. Never taking himself too seriously, he appeared in 1993 in a cameo role in Wayne's World 2, in a scene where the main character Wayne Campbell (Mike Myers) requests casting a better actor for a small roll. After the scene is reshot with Heston, Campbell weeps in awe. That same year, Heston hosted Saturday Night Live. He had cameos in the films Hamlet, Tombstone and True Lies. He starred in many theatre productions at the Los Angeles Music Center, where he appeared in Detective Story and The Caine Mutiny Court Martial, and as Sherlock Holmes in The Crucifer of Blood opposite Jeremy Brett as Dr. Watson. Heston later won acclaim for a television production interpretation of the famous detective. In 2001, Heston made a cameo appearance as an elderly, dying chimpanzee in Tim Burton's remake of Planet of the Apes. Heston's last film role was as the infamous Nazi doctor Josef Mengele in My Father, Rua Alguem 5555, which had limited release (mainly to festivals) in 2003.[22]
Heston's distinctive voice had also landed him roles as a film narrator, including Armageddon and Disney's Hercules.
Heston played the title role in Mister Roberts three times and cited it as one of his favorite roles. In the early 1990s, he tried unsuccessfully to revive and direct the show with Tom Selleck in the title role.[23]


Cary Grant

http://celebritytoob.com/wp-content/themes/Avenue/timthumb.php?src=http://celebritytoob.com/wp-content/uploads/2013/02/cary-grant.2.jpg&w=300&h=460&zc=1&q=100Birthday: 18 January 1904, Horfield, Bristol, England, UK
Height: 6' 1½" (1.87 m)

Biography

Once told by an interviewer, "Everybody would like to be Cary Grant," Grant is said to have replied, "So would I." His early years in Bristol, England, would have been an ordinary lower-middle-class childhood except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. The real truth, however, was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he wouldn't see his mother again until he was in his late 20s). He left school at 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the US. Their show on Broadway, "Good Times," ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62. One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style--"high comedy with polished words." In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco 

Filmography

Year Film Role Notes
1932 This Is the Night Stephen With Lili Damita, Charles Ruggles, and Thelma Todd
Sinners in the Sun Ridgeway With Carole Lombard and Chester Morris
Singapore Sue First Sailor Musical Comedy short subject
Merrily We Go to Hell Charlie Baxter UK title: Merrily We Go to _____ With Sylvia Sidney and Fredric March
Devil and the Deep Lieutenant Jaeckel With Tallulah Bankhead and Gary Cooper
Blonde Venus Nick Townsend With Marlene Dietrich
Hot Saturday Romer Sheffield With Nancy Carroll and Edward Woods
Madame Butterfly Lieutenant B.F. Pinkerton With Sylvia Sidney and Charles Ruggles
1933 She Done Him Wrong Capt. Cummings With Mae West and Noah Beery, Sr.
The Woman Accused Jeffrey Baxter With Nancy Carroll
The Eagle and the Hawk Henry Crocker With Fredric March and Carole Lombard
Gambling Ship Ace Corbin With Jack La Rue and Glenda Farrell
I'm No Angel Jack Clayton With Mae West
Alice in Wonderland The Mock Turtle With W. C. Fields and Gary Cooper
1934 Thirty-Day Princess Porter Madison III With Sylvia Sidney and Edward Arnold
Born to Be Bad Malcolm Trevor With Loretta Young (Heavily censored by the Hayes Office)
Kiss and Make-Up Dr. Maurice Lamar With Helen Mack and the WAMPAS Baby Stars of 1934
Ladies Should Listen Julian De Lussac With Francis Drake and Edward Everett Horton
1935 Enter Madame Gerald Fitzgerald With top-billed Elissa Landi
Wings in the Dark Ken Gordon With top-billed Myrna Loy
The Last Outpost Michael Andrews With Claude Rains
Sylvia Scarlett Jimmy Monkley Directed by George Cukor With Katharine Hepburn
1936 Big Brown Eyes Det. Sgt. Danny Barr With Joan Bennett and Walter Pidgeon
Suzy Andre With Jean Harlow and Franchot Tone
The Amazing Quest of Ernest Bliss Ernest Bliss US title: Romance and Riches Alt title: The Amazing Adventure
Wedding Present Charlie With Joan Bennett
1937 When You're in Love Jimmy Hudson UK title: For You Alone With Grace Moore
Topper George Kerby With Constance Bennett
The Toast of New York Nicholas "Nick" Boyd With Edward Arnold and Frances Farmer
The Awful Truth Jerry Warriner Directed by Leo McCarey
With Irene Dunne and Ralph Bellamy
Introduced the "Cary Grant persona"
1938 Bringing up Baby Dr. David Huxley Directed by Howard Hawks
With Katharine Hepburn and Charles Ruggles
Holiday John "Johnny" Case Directed by George Cukor
With Katharine Hepburn
UK title: Free to Live
1939 Gunga Din Sgt. Archibald Cutter Directed by George Stevens
With Victor McLaglen and Douglas Fairbanks, Jr.
Only Angels Have Wings Geoff Carter Directed by Howard Hawks
With Jean Arthur, Thomas Mitchell and Rita Hayworth
In Name Only Alec Walker With Carole Lombard and Charles Coburn
1940 His Girl Friday Walter Burns Directed by Howard Hawks
Remake of The Front Page
With Rosalind Russell and Ralph Bellamy
My Favorite Wife Nick Co-written by Leo McCarey
Directed by Garson Kanin
With Irene Dunne and Gail Patrick
The Howards of Virginia Matt Howard UK title: The Tree of Liberty
With Martha Scott
The Philadelphia Story C.K. Dexter Haven With Katharine Hepburn and James Stewart
1941 Penny Serenade Roger Adams Nominated—Academy Award for Best Actor
Directed by George Stevens
With Irene Dunne and Edgar Buchanan
Suspicion Johnnie Directed by Alfred Hitchcock
With Joan Fontaine
1942 The Talk of the Town Leopold Dilg aka Joseph With Ronald Colman and Jean Arthur
Once Upon a Honeymoon Patrick "Pat" O'Toole Directed by Leo McCarey
With Ginger Rogers
1943 Mr. Lucky Joe Adams/Joe Bascopolous With Laraine Day and Charles Bickford
Destination Tokyo Capt. Cassidy With John Garfield and Dane Clark
1944 Once Upon a Time Jerry Flynn With Janet Blair
Arsenic and Old Lace Mortimer Brewster With Priscilla Lane and Peter Lorre
None But the Lonely Heart Ernie Mott Nominated—Academy Award for Best Actor Written and directed by Clifford Odets
With Ethel Barrymore
1946 Without Reservations Himself (cameo) With Claudette Colbert and John Wayne
Night and Day Cole Porter Directed by Michael Curtiz
Notorious T.R. Devlin Directed by Alfred Hitchcock
With Ingrid Bergman and Claude Rains
1947 The Bachelor and the Bobby-Soxer Dick UK title: Bachelor Knight With Myrna Loy and Shirley Temple
The Bishop's Wife Dudley With Loretta Young and David Niven
1948 Mr. Blandings Builds His Dream House Jim Blandings With Myrna Loy and Melvyn Douglas
Every Girl Should Be Married Dr. Madison W. Brown With Betsy Drake
1949 I Was a Male War Bride Capt. Henri Rochard UK title: You Can't Sleep Here
With Ann Sheridan
1950 Crisis Dr. Eugene Norland Ferguson With Jose Ferrer
1951 People Will Talk Dr. Noah Praetorius With Jeanne Crain
1952 Room for One More George "Poppy" Rose With Betsy Drake
Monkey Business Dr. Barnaby Fulton Directed by Howard Hawks
With Ginger Rogers and Marilyn Monroe
1953 Dream Wife Clemson Reade With Deborah Kerr and Walter Pidgeon
1955 To Catch a Thief John Robie Directed by Alfred Hitchcock
With Grace Kelly
1957 The Pride and the Passion Anthony With Frank Sinatra and Sophia Loren
An Affair to Remember Nickie Ferrante A same-script remake of Love Affair (1939 film), both directed by Leo McCarey With Deborah Kerr
Kiss Them for Me Cmdr. Andy Crewson Directed by Stanley Donen
With Jayne Mansfield and Suzy Parker
1958 Indiscreet Philip Adams Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Stanley Donen
With Ingrid Bergman
Houseboat Tom Winters With Sophia Loren
1959 North by Northwest Roger O. Thornhill Directed by Alfred Hitchcock With Eva Marie Saint, James Mason and Martin Landau
Famous scene of Grant being chased by a biplane
Operation Petticoat Lt. Cmdr. Matt T. Sherman Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
With Dina Merrill and Arthur O'Connell
1960 The Grass Is Greener Victor Rhyall, Earl Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy Directed by Stanley Donen
With Deborah Kerr, Robert Mitchum and Jean Simmons
1962 That Touch of Mink Philip Shayne Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Delbert Mann
With Doris Day and Gig Young
1963 Charade Peter Joshua / Alexander Dyle / Adam Canfield / Brian Cruikshank Nominated—BAFTA Award for Best Foreign Actor
Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Stanley Donen
With Audrey Hepburn, Walter Matthau and James Coburn
1964 Father Goose Walter Christopher Eckland Directed by Ralph Nelson
With Leslie Caron and Trevor Howard
1966 Walk, Don't Run Sir William Rutland With Samantha Eggar Remake of The More the Merrier